"A new interpretation of the l965 Broadway musical"--Cover, p. 3.

Genre: Musical Characters: 7 males, 8 females, and chorus of 8 males and 5 females In the honky tonk world of marathon dancing in Atlantic City in 1933, a captivating assortment of depression era souls eager to dance their way into fame and prizes gather on the Steel Pier. The spectacle is presided over by an oily tongued emcee who is secretly married to Rita Racine, the champion dancer. Her usual partner doesn't show up, so she is paired with a handsome pilot on leave. As the hours o

This volume contains detailed information about every musical that opened on Broadway from 2010 through the end of 2019. This book discusses the decade’s major successes, notorious failures, and musicals that closed during their pre-Broadway tryouts. In addition to including every hit and flop that debuted during the decade, this book highlights revivals and personal-appearance revues.

The autobiography, in dialogue, of the composer and lyricist of Chicago and Cabaret as well as a wise and witty memoir of forty years of American musicals. Composer John Kander and lyricist Fred Ebb are the longest-running composer-lyricist team in Broadway history, having first joined forces in 1962. The fruits of their collaboration have helped to push American musical theater in a more daring direction both musically and dramatically. At the same time, their impact on individual performers—such as Liza Minelli, who has provided the introduction—has been substantial. Starting with Flora, The Red Menace, their first show together (as well as their first with Liza), and continuing with such groundbreaking works as Cabaret, Chicago, and Kiss of the Spider Woman, Kander and Ebb—ably assisted by Greg Lawrence—discuss their lives and careers with wit and acuity. In exploring the creation of truly original work such as Cabaret, reflecting on what makes a song work, reviewing what they liked (and didn’t like) about the film adaptation of Chicago, and discussing the mechanics of their own collaborative process, Kander and Ebb provide a history not only of their own lives but also of twentieth century American musical theater. Praise for Colored Lights “Anyone who enjoys musical theater will delight in this anecdotal memoir by an accomplished musical team who began their partnership in 1962. . . . Their recollections bring the golden age of musical theater to life and reveal the nuts and bolts of creating a score for a successful musical. The two reminisce freely about stars such as Liza Minnelli, Barbra Streisand and Bob Fosse, with whom they had close working relationships.” —Publishers Weekly

Liza Minelli took Broadway by storm in this "concept musical" about a Las Vegas nightclub performer named Michelle Craig, a has been movie star now trying to make a comeback. All the terrific Kander and Ebb songs are sung by Michelle, making this an amazing tour de force for a performer.

“The Nate series by Tim Federle is a wonderful evocation of what it’s like to be a theater kid. Highly recommended.” —Lin-Manuel Miranda, star and creator of the musical, Hamilton Winner of the Lambda Literary Award Encore! Nate Foster’s Broadway dreams are finally coming true in this sequel to Better Nate Than Ever that Publishers Weekly calls a “funny, tender coming-of-age story.” Armed with a one-way ticket to New York City, small-town theater geek Nate is off to start rehearsals for E.T.: The Broadway Musical. It’s everything he ever practiced his autograph for! But as thrilling as Broadway is, rehearsals are nothing like Nate expects: full of intimidating child stars, cut-throat understudies, and a director who can’t even remember Nate’s name. Now, as the countdown to opening night is starting to feel more like a time bomb, Nate is going to need more than his lucky rabbit’s foot if he ever wants to see his name in lights. He may even need a showbiz miracle. The companion novel to Better Nate Than Ever, which The New York Times called “inspired and inspiring,” Five, Six, Seven, Nate! is full of secret admirers, surprise reunions, and twice the drama of middle school...with a lot more glitter.

Not Since Carrie is Ken Mandelbaum's brilliant survey of Broadway's biggest flops. This highly readable and entertaining book highlights almost 200 musicals created between 1950 and 1990, framed around the notorious musical adaptation of Carrie, and examines the reasons for their failure. "Essential and hilarious," raves The New Yorker, and The New York Times calls the book "A must-read."