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'Flowers In Pre-Raphaelite Art'. 120 colour illus.

In this 2010 book, Dorri Beam presents an important contribution to nineteenth-century fiction by examining how and why a florid and sensuous style came to be adopted by so many authors. Discussing a diverse range of authors, including Margaret Fuller and Pauline Hopkins, Beam traces this style through a variety of literary endeavors and reconstructs the political rationale behind the writers' commitments to this form of prose. Beam provides both close readings of a number of familiar and unfamiliar works and an overarching account of the importance of this form of writing, suggesting new ways of looking at style as a medium through which gender can be signified and reshaped. Style, Gender, and Fantasy in Nineteenth Century American Women's Writing redefines our understanding of women's relation to aesthetics and their contribution to both American literary romanticism and feminist reform. This illuminating account provides valuable new insights for scholars of American literature and women's writing.

There is no better book on the subject of the secret language of flowers and their possible intrinsic spiritual and magical powers than Floriography Today: The Symbolic Meanings & The Possible Powers of Trees, Plants and Flowers by S. Theresa Dietz. Floriography Today is filled with painstakingly researched and organized information that has never been available in one volume until now. Floriography Today is must have for every library's reference book shelf. Concise, consolidated and extensively cross-referenced for easy research, Floriography Today consists of over 7,500 plant names; over 2,000 symbolic meanings; and over 600 possible powers for over 900 individual species trees, plants and flowers with additional notes of interesting "Folklore and Facts" throughout. Floriography Today: The Symbolic Meanings & The Possible Powers of Trees, Plants and Flowers by S. Theresa Dietz, is the Floriography reference book of choice for the 21st Century.

A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.