A narrative poem about the death of Elaine, "the lily maid of Astolat".

The tenth volume of Arthurian Literature continues some ofthe themes of earlier issues, as well as exploring unfamiliar andcontroversial ground. The second part of CHRISTINE POULSON's survey of the Arthurian legend in 19th-century art is an analysisby subject of the works catalogued by artist in Arthurian Literature IX. A. H. W. SMITH provides a substantial update to MaryWildman's bibliography of modern Arthurian literature which appearedin Arthurian Literature II, adding not only recent works butalso many items missing from the earlier list. Mr Smith also contributesan article on Ponticus Virumnius and the text of Gildas, one of themore intriguing mysteries of Arthurian text history, and sets outVirumnius' claim to have seen a poem by Gildas which has since disappeared. ARMEL DIVERRES writes on the origins of Chretien de Troyes'Conte del Graal; he argues that we should seek the poet's inspiration in the crusading activities of Philip of Flanders, supporting his case with a careful examination of many otherwise difficult passages in the poem.

The author investigates the points of contact between literature, visual arts and feminist criticism by offering fresh readings of selected Romantic and Victorian poems about women and a discussion of their wide-ranging visual history – a subject which has not yet been undertaken in a book-length study. The innovative feature of the project lies in its scope and merit: extensive readings of 19th century poetry, informed by carefully chosen critical approaches, are followed by a rich overview and analysis of visual renderings of the poems in question. Łuczyńska-Hołdys has succeeded in bringing to light previously unknown or undiscussed works, and reappraised many well-known paintings and illustrations.