Bart Allen at last embraces his heritage to become the latest speedster to don the mantle of The Flash. The future looks bright-his former colleagues in the Teen Titans ask him to rejoin their team; he’s to be honored at the Flash Museum; and best of all, he is being considered for membership in the Justice League of America. Heady stuff for a young hero. Unfortunately, becoming a Flash also carries with it certain burdens. It’s no secret that the previous Flashes made many deadly enemies over the years, and those enemies are intent on seeking vengeance on any hero who carries on the legend of the Scarlet Speedster. When this desperate Rogues Gallery teams up to bring down the latest Flash, will Bart have what it takes to defeat the vicious onslaught? Or will his career end before it has a chance to begin? FULL THROTTLE is the most shocking and tragic storyline in Flash history, and sets up a new era of greatness for the Fastest Man Alive.

Bart Allen at last embraces his heritage to become the latest speedster to don the mantle of the Flash. The future looks bright -- his former colleagues in the Teen Titans ask him to rejoin their team; he's to be honored at the Flash Museum; and best of all, he is being considered for membership in the Justice League of America.

It's an all-out brawl between Reverse Flash and Flash as Barry tries to save a cop from an errant bullet. Will the Flash be fast enough to stop a bullet? Barry is running himself ragged, and his best friend Hal Jordan comes to check on him, but Flash doesn't want the help. When the Top goes on a rampage, can the two friends put their differences aside to work together?

Who's giving the Flash a run for his money as the new hero of Keystone?

A CHOICE Outstanding Academic Title, 2019 Comics studies has reached a crossroads. Graphic novels have never received more attention and legitimation from scholars, but new canons and new critical discourses have created tensions within a field built on the populist rhetoric of cultural studies. As a result, comics studies has begun to cleave into distinct camps—based primarily in cultural or literary studies—that attempt to dictate the boundaries of the discipline or else resist disciplinarity itself. The consequence is a growing disconnect in the ways that comics scholars talk to each other—or, more frequently, do not talk to each other or even acknowledge each other’s work. Breaking the Frames: Populism and Prestige in Comics Studies surveys the current state of comics scholarship, interrogating its dominant schools, questioning their mutual estrangement, and challenging their propensity to champion the comics they study. Marc Singer advocates for greater disciplinary diversity and methodological rigor in comics studies, making the case for a field that can embrace more critical and oppositional perspectives. Working through extended readings of some of the most acclaimed comics creators—including Marjane Satrapi, Alan Moore, Kyle Baker, and Chris Ware—Singer demonstrates how comics studies can break out of the celebratory frameworks and restrictive canons that currently define the field to produce new scholarship that expands our understanding of comics and their critics.