Five comic masterpieces by Preston Sturges, who has been called "Hollywood's greatest writer-director, with emphasis on the former." The scripts are drawn from the great period between 1939 and 1944, which Andrew Sarris called "one of the most brilliant and most bizarre bursts of creation in the history of cinema."

George N. Rumanes, who now lives in Los Angeles with his family, is a writer who works in the film industry. His second novel, The Man With The Black Worrybeads, a worldwide best seller, will be filmed in Hollywood, Greece and North Africa. During the past seven years, Mr. Rumanes wrote five original camera ready screenplays and he is now finishing, Between the Palm and the Cypress Trees, his next novel. THE SCREENPLAYS: The Land of Gods and Lovers Vector One Mystery George Malvasia Two Ladies and the Mob

Hundreds of books claim they can teach you how to write the perfect script. Listen up: your script doesnt need to be perfect to sell! It does need to include nine standard story elements. Producer, writer and story analyst Donna Michelle Anderson, best known in the industry as DMA, has been hammering this point home for more than a decade at UCLA Extension Writers Program, film fests, production companies and more, and as the founder and screenwriting instructor of the Movie in a Box one-day filmmaking seminars.With this concise guide, DMA brings you the simplest steps to unifying a theme, character arc and spine, then streamlining those elements into a sellable script. She calls it The 1-3-5 System. Youre going to call it a miracle.

Preston Sturges (1898-1959) was a member of Hollywood's gifted royalty, producing a remarkable number of films. In this third volume of scripts by one of Hollywood's wisest and wittiest filmmakers, the focus is on screenplays written but not directed by Sturges. This volume will be the perfect accompaniment to the re-release of Sturges films on home video. 8 illustrations.

In this fascinating survey of contemporary screen craft, David Cohen of Script and Variety magazines leads readers down the long and harrowing road every screenplay takes from idea to script to screen. In interviews with Hollywood screenwriters from across the board—Oscar winners and novices alike—Cohen explores what sets apart the blockbuster successes from the downright disasters. Tracing the fortunes of twenty-five films, including Troy, Erin Brockovich, Lost in Translation, and The Aviator, Cohen offers insider access to back lots and boardrooms, to studio heads, directors, and to the over-caffeinated screenwriters themselves. As the story of each film evolves from the drawing board to the big screen, Cohen proves that how a script is written, sold, developed, and filmed can be just as dramatic and intriguing as the movie itself—especially when the resulting movie is a fiasco. Covering films of all kinds—from tongue-in-cheek romps like John Waters's A Dirty Shame to Oscar winners like Monster's Ball and The Hours—Screen Plays is an anecdote-filled, often inspiring, always revealing look at the alchemy of the movie business. With Cohen as your expert guide, Screen Plays exposes how and why certain films (such as Gladiator) become "tent poles," those runaway successes every studio needs to survive, and others become train wrecks. Full of critical clues on how to sell a script—and avoid seeing it destroyed before the director calls Action!—it's the one book every aspiring screenwriter will find irresistible.

Covers story concept, character development, theme, structure, and scenes, analyzes a sample screenplay, and tells how to submit a manuscript, select an agent, and market oneself.