Three schools of Taoism flourished at the beginning of the Han Dynasty in 2nd-Century B.C. China: the Lao-tzu, the Chuang-tzu, and the Huang-Lao, the last being the most influential philosophy at the court of the Han rulers. But, after Confucianism became the predominant court philosophy in the 1st Century B.C., Huang-Lao Taoism became little more than a name; its central principles virtually forgotten, its texts destroyed or lost. In 1973, among the many unique documents discovered in the richly furnished tomb of a Han-dynasty aristocrat, were five books written on silk, primary texts of Huang-lao Taoism and Yin-yang philosophy that had been lost to mankind for more than 2,000 years. A discovery as important in China as the unearthing of the Dead Sea Scrolls was in the West, the Mawangdui texts created a sensation when they were first published, even leading to the foundation of a new religion on Taiwan. Now Robin D. S. Yates, a noted expert in Chinese history and philosophy, offers the first complete translation of these precious and unique texts to be published in a Western language. As Professor Yates explains in his illuminating introduction to this volume, the recovery of the five lost classics sheds new light on a critical transitional period of Chinese political and intellectual history. Implicit in the texts is the assumption that a ruler who strives to align himself with the unknowable, transcendent order of the cosmos will become a "true king" capable of commanding the allegiance of a unified China. To this end, the essays deal with concrete questions of self-cultivation and political insight rather than with the abstract considerations typical of Western philosophy. The first four texts focus on different facets of Huang-lao Taoism while the fifth is devoted to Yin-yang philosophy: The Canon: Law unfolds the essence of the Tao and explains why rulers must abide within the boundaries of the law; The Canon is largely cast as a series of stories and dialogues between the mythological Yellow Emperor and his leading officials; Designations is a collection of fifty-four aphorisms expounding the eternal dilemmas of the human condition; Tao the Origin is an essay on the origin of the Tao; The Nine Rulers, the fragmentary fifth text, is a Yin-yang essay that considers the laws of nature which effective rulers must understand and obey. It is the only Yin-yang text which has survived almost whole into the Twentieth Century, and is valuable because its philosophy is basic to the origins of Huang-Lao tradition. Brilliantly translated by Professor Yates and prefaced with his fascinating and informative introduction, Five Lost Classics is as accessible to general readers as it is illuminating to scholars. With the publication of this volume, a document of inestimable value takes its place, after a two thousand year hiatus, in the canon of world literature and philosophy.

Douglas Wile translates and analyzes four collections of recently released nineteenth-century manuscripts on T'ai-chi ch'uan. These writings of Wu's older brothers Ch'eng-ch'ing and Ju-ch'ing, and his nephew Li I-yu, together with the transmissions of Yang Pan-hou, represent a significant addition to the seminal literature. The rich new texts allow us to make a fresh survey of longstanding issues in T'ai-chi history: the origins of the art; the authorship of the "classics;" the differences between Wu, Yang, and Li; and the roles of Chang San-feng, Wang Tsung-yueh, Chiang Fa, and the formerly missing link, Ch'ang Nai-chou. The original Chinese texts of the four new sets of classics have been appended for the convenience of Chinese readers and scholars. The book reconsiders the world of the Wu, Yang, and Li families of Yung-nien and reconstructs it against the background of the Opium Wars, the Taiping Rebellion, and the decline of the Manchu dynasty. New biographical sources illuminate the domestic and political lives of the Yung-nien circle and their orientation to the late imperial intellectual trends. The development of T'ai-chi ch'uan in the nineteenth century is explored in the context of China's cultural response to the challenge of the West and the role of body-centered arts in Asia during the drive for independence and the ongoing search for national identity.

The second book in a series, The Minute Boys of Bunker Hill is an exciting historical tale for boys and girls which chronicles the events of the American Revolution through the experiences of a young patriot named Roger Morse. Boys and girls who read this story will be entertained by a harmless escape into exciting historical adventure. They will be informed not only of American Revolutionary War history, but also of the importance of such virtues as love of liberty, bravery in the face of tyranny, courage against overwhelming odds, fierce determination and loyalty to country, family and friends. The author's upbeat and light hearted style will delight readers of all ages. This kind of fiction is the best way to foster a more intimate understanding of our American Heritage.

The Seven Military Classics is one of the most profound studies of warfare ever written, a stanchion in sinological and military history. It presents an Eastern tradition of strategic thought that emphasizes outwitting one's opponent through speed, stealth, flexibility, and a minimum of force -- an approach very different from that stressed in the West. Safeguarded for centuries by the ruling elite of imperial China, even in modern times these writings have been known only to a handful of Western specialists. This volume contains seven separate essays, written between 500 BCE and 700 CE, that preserve the essential tenets of strategy distilled from the experience of the most brilliant warriors of ancient China.

The classic French novel written by a soldier, who would later die during World War I, tells the story of Auguste Meaulnes and the "domain mysterieux."

The Wenzi is a Chinese philosophical text that enjoyed considerable prestige in the centuries following its creation, over two-thousand years ago. When questions regarding its authenticity arose, the text was branded a forgery and consigned to near oblivion. The discovery of an age-old Wenzi manuscript, inked on strips of bamboo, refueled interest in the text. In this combined study of the bamboo manuscript and the received text, Van Els argues that they belong to two distinct text traditions as he studies the date, authorship, and philosophy of each tradition, as well as the reception history of the received text. This study sheds light on text production and reception in Chinese history, with its changing views on authorship, originality, authenticity, and forgery, both past and present.

The story of three generations in twentieth-century China that blends the intimacy of memoir and the panoramic sweep of eyewitness history—a bestselling classic in thirty languages with more than ten million copies sold around the world, now with a new introduction from the author. An engrossing record of Mao’s impact on China, an unusual window on the female experience in the modern world, and an inspiring tale of courage and love, Jung Chang describes the extraordinary lives and experiences of her family members: her grandmother, a warlord’s concubine; her mother’s struggles as a young idealistic Communist; and her parents’ experience as members of the Communist elite and their ordeal during the Cultural Revolution. Chang was a Red Guard briefly at the age of fourteen, then worked as a peasant, a “barefoot doctor,” a steelworker, and an electrician. As the story of each generation unfolds, Chang captures in gripping, moving—and ultimately uplifting—detail the cycles of violent drama visited on her own family and millions of others caught in the whirlwind of history.