There were four strong contenders when the Republican party met in June of 1940 in Philadelphia to nominate its candidate for president: the crusading young attorney and rising Republican star Tom Dewey, solid members of the Republican establishment Robert Taft and Arthur Vandenberg, and dark horse Wendell Willkie, utilities executive, favorite of the literati and only very recently even a Republican. The leading Republican candidates campaigned as isolationists. The charismatic Willkie, newcomer and upstager, was a liberal interventionist, just as anti-Hitler as FDR. After five days of floor rallies, telegrams from across the country, multiple ballots, rousing speeches, backroom deals, terrifying international news, and, most of all, the relentless chanting of "We Want Willkie" from the gallery, Willkie walked away with the nomination. The story of how this happened — and of how essential his nomination would prove in allowing FDR to save Britain and prepare this country for entry into World War II — is all told in Charles Peters' Five Days in Philadelphia. As Peters shows, these five action-packed days and their improbable outcome were as important as the Battle of Britain in defeating the Nazis.

There were four strong contenders when the Republican Party met in June of 1940 to nominate its candidate: the crusading young attorney and rising Republican star Tom Dewey, two solid members of the Republican establishment, and dark horse Wendell Willkie, utilities executive, favorite of the literati and only very recently even a Republican. The leading candidates campaigned as isolationists. The charismatic newcomer Willkie was a liberal interventionist, just as anti-Hitler as FDR. After five days of floor rallies, telegrams from across the country, multiple ballots, rousing speeches, backroom deals, terrifying international news, and, most of all, the relentless chanting of "We Want Willkie" from the gallery, Willkie walked away with the nomination. As Peters shows, these five days and their improbable outcome were as important as the Battle of Britain in defeating the Nazis.--From publisher description.

A “gripping [and] splendidly readable” portrait of the battle within the British War Cabinet—and Churchill’s eventual victory—as Hitler’s shadow loomed (The Boston Globe). From May 24 to May 28, 1940, members of Britain’s War Cabinet debated whether to negotiate with Hitler or to continue what became known as the Second World War. In this magisterial work, John Lukacs takes us hour by hour into the critical events at 10 Downing Street, where Winston Churchill and his cabinet painfully considered their responsibilities. With the unfolding of the disaster at Dunkirk, and Churchill being in office for just two weeks and treated with derision by many, he did not have an easy time making his case—but the people of Britain were increasingly on his side, and he would prevail. This compelling narrative, a Washington Post bestseller, is the first to convey the drama and world-changing importance of those days. “[A] fascinating work of historical reconstruction.”—The Wall Street Journal “Eminent historian Lukacs delivers the crown jewel to his long and distinguished career.”—Publishers Weekly (starred review) “A must for every World War II buff.”—Cleveland Plain Dealer “Superb…can be compared to such classics as Hugh Trevor-Roper’s The Last Days of Hitler and Barbara Tuchman’s The Guns of August.”—Harper’s Magazine

Fifty-five men met in Philadelphia in 1787 to write a document that would create a country and change a world: the Constitution. Here is a remarkable rendering of that fateful time, told with humanity and humor. Decision in Philadelphia is the best popular history of the Constitutional Convention; in it, the life and times of eighteenth century America not only come alive, but the very human qualities of the men who framed the document are brought provocatively into focus—casting many of the Founding Fathers in a new light. A celebration of how and why our Constitution came into being, Decision in Philadelphia is also a testament of the American spirit at its finest.

A classic history of the Federal Convention at Philadelphia in 1787, the stormy, dramatic session that produced the most enduring of political documents: the Constitution of the United States. From Catherine Drinker Bowen, noted American biographer and National Book Award winner, comes the canonical account of the Constitutional Convention recommended as "required reading for every American." Looked at straight from the records, the Federal Convention is startlingly fresh and new, and Mrs. Bowen evokes it as if the reader were actually there, mingling with the delegates, hearing their arguments, witnessing a dramatic moment in history. Here is the fascinating record of the hot, sultry summer months of debate and decision when ideas clashed and tempers flared. Here is the country as it was then, described by contemporaries, by Berkshire farmers in Massachusetts, by Patrick Henry's Kentucky allies, by French and English travelers. Here, too, are the offstage voices--Thomas Jefferson and Tom Paine and John Adams from Europe. In all, fifty-five men attended; and in spite of the heat, in spite of clashing interests--the big states against the little, the slave states against the anti-slave states--in tension and anxiety that mounted week after week, they wrote out a working plan of government and put their signatures to it.

"If You Don't Know Me By Now," "The Love I Lost," "The Soul Train Theme," "Then Came You," "Ain't No Stoppin' Us Now"--the distinctive music that became known as Philly Soul dominated the pop music charts in the 1970s. In A House on Fire, John A. Jackson takes us inside the musical empire created by Kenny Gamble, Leon Huff, and Thom Bell, the three men who put Philadelphia Soul on the map. Here is the eye-opening story of three of the most influential and successful music producers of the seventies. Jackson shows how Gamble, Huff, and Bell developed a black recording empire second only to Berry Gordy's Motown, pumping out a string of chart-toppers from Harold Melvin & the Blue Notes, the Spinners, the O'Jays, the Stylistics, and many others. The author underscores the endemic racism of the music business at that time, revealing how the three men were blocked from the major record companies and outlets in Philadelphia because they were black, forcing them to create their own label, sign their own artists, and create their own sound. The sound they created--a sophisticated and glossy form of rhythm and blues, characterized by crisp, melodious harmonies backed by lush, string-laden orchestration and a hard-driving rhythm section--was a glorious success, producing at least twenty-eight gold or platinum albums and thirty-one gold or platinum singles. But after their meteoric rise and years of unstoppable success, their production company finally failed, brought down by payola, competition, a tough economy, and changing popular tastes. Funky, groovy, soulful--Philly Soul was the classic seventies sound. A House on Fire tells the inside story of this remarkable musical phenomenon.

Shibe Park was demolished in 1976, and today its site is surrounded by the devastation of North Philadelphia. Kuklick, however, vividly evokes the feelings people had about the home of the Philadelphia Athletics and later the Phillies.