Some evangelicals perceive monasticism as a relic from the past, a retreat from the world, or a shirking of the call to the Great Commission. At the same time, contemporary evangelical spirituality desires historical Christian manifestations of the faith. In this accessibly written book Greg Peters, an expert in monastic studies who is a Benedictine oblate and spiritual director, offers a historical survey of monasticism from its origins to current manifestations. Peters recovers the riches of the monastic tradition for contemporary spiritual formation and devotional practice, explaining why the monastic impulse is a valid and necessary manifestation of the Christian faith for today's church.

This book presents a lost tradition of inner work, the way of the householder, which was believed by the Brotherhood of Common Life to have been the teaching of the Apostles. It focuses on the emergence, amidst the decay of medieval culture, of "the mixed life," this reconciliation of action and contemplation, as the essential link between Catholic spirituality and Protestantism. The transmission of this work to lay persons seeking the interior dimensions of their lives without withdrawing from the world is presented. The hitherto monastic spiritual exercises for strengthening attention are discussed in depth. The traditional and vital Christian knowledge of the human condition, which the Brothers and Sisters verified for themselves, is emphasized, especially the crucial significance of the force of attention in the recollection of oneself and God. The importance of strengthening attentive awareness is everywhere alluded to in the sources, but virtually ignored in current accounts of the Christian heritage. The book traces a transmission of spiritual exercises supported by a strongpsychological base that is strangely familiar to the climate of today's search for meaning.

Noting that though Christian thought has consistently held virginity to be purer than married life, a virgin woman has always queer been in social terms, Jankowsky (English, Washington State U.) explores the tensions behind the many representations of virgin women in English stage plays from 1590 to about 1670 and how those representations can be considered queer. Annotation copyrighted by Book News Inc., Portland, OR