Two novellas by the founder of modern Yiddish fiction--Fishke the Lame and The Brief Travels of Benjamin the Third--depict small-town Jewish life in Russia.

Two novellas by the founder of modern Yiddish fiction--Fishke the Lame and The Brief Travels of Benjamin the Third--depict small-town Jewish life in Russia.

Yiddish literature, despite its remarkable achievements during an era bounded by Russian reforms in the 1860s and the First World War, has never before been surveyed by a scholarly monograph in English. Classic Yiddish Fiction provides an overview and interprets the Yiddish fiction of S. Y. Abramovitsh, Sholem Aleichem, and I. L. Peretz. While analyzing their works, Frieden situates these three authors in their literary world and in relation to their cultural contexts. Two or three generations ago, Yiddish was the primary language of Jews in Europe and America. Today, following the Nazi genocide and half a century of vigorous assimilation, Yiddish is sinking into oblivion. By providing a bridge to the lost continent of Yiddish literature, Frieden returns to those European traditions. This journey back to Ashkenazic origins also encompasses broader horizons, since the development of Yiddish culture in Europe and America parallels the history of other ethnic traditions.

Two novellas by S. Y. Abramovitsh open this collection of the best short works by three influential nineteenth-century Jewish authors. Abra- movitsh’s alter ego—Mendele the Book Peddler—introduces himself and narrates both The Little Man and Fishke the Lame. His cast of characters includes Isaac Abraham as tailor’s apprentice, choirboy, and corrupt businessman; Mendele’s friend Wine ’n’ Candles Alter; and Fishke, who travels through the Ukraine with a caravan of beggars. Sholem Aleichem’s lively stories reintroduce us to Tevye, the gregarious dairyman, as he describes the pleasures of raising his independent-minded daughters. These are followed by short monologues in which Aleichem gives voice to unforgettable characters from Eastern Europe to the Lower East Side. Finally, I. L. Peretz’s neo-hasidic tales draw on hasidic traditions in the service of modern literature. These stories provide an unsentimental look back at Jewish life in Eastern Europe. Although nostalgia occasionally colors their prose, the writers were social critics who understood the shortcomings of shtetl life. For the general reader, these translations breathe new life into the extraordinary worlds of Yiddish literature. The introduction, glossary, and biographical essays contemporaneous to each author put those worlds into context, making the book indispensable to students and scholars of Yiddish culture.

The author of classic Yiddish novels and short stories, Sholem Aleichem—best known for having inspired the popular play, Fiddler on the Roof, evokes the voices of Yiddish speakers in these monologues written between 1901 and 1916. In each piece, a man or a woman comes forward to tell the story. The implied listeners—a rabbi, a doctor, or the author himself—says virtually nothing. Aleichem pretends to have transcribed these private performances for the reader's benefit.

These short works from a master of Jewish literature offer “a brilliantly evocative tribute to a bygone era” (Publishers Weekly). Isaac Leybush Peretz is one of the most influential figures of modern Jewish culture. Born in Poland and dedicated to Yiddish culture, he recognized that Jews needed to adapt to their times while preserving their cultural heritage, and his captivating and beautiful writings explore the complexities inherent in the struggle between tradition and the desire for progress. This book, which presents a memoir, poem, travelogue, and twenty-six stories by Peretz, also provides a detailed essay about Peretz’s life by Ruth R. Wisse. This edition of the book includes, as well, Peretz’s great visionary drama A Night in the Old Marketplace, in a rhymed, performable translation by Hillel Halkin.