In the brilliant idiom of a modern Melville or Conrad, an odyssey of discovery by a bold and outrageous talent--the PEN/Hemingway Award--winning author of The Ice At The Bottom Of The World.

Billy is a lonely boy. He's obsessed with swimming in the sea, which is where he goes to wash his problems far, far away. Thanks to his mum's mystery illness, his dad has been forced to work extra hours to make ends meet, so Billy locks himself away with David Attenborough films, and ponders the magic of nature. Meanwhile at school, bullies mercilessly seize on Billy's 'otherness' and make his life as miserable as possible - but then new boy Patrick Green, with "fingers like steel, strength of a bear", joins Billy's class. And when a mackerel swims up to Billy's face, blows bubbles into his Vista Clear Mask goggles and says: Fish Boy - Billy's whole world changes.

Danny’s family is full of superheroes. His mom is Stunner. His dad, Raven. And his sister, Marta, Vanish. Each has their own gift. Danny is Fish Boy. But in landlocked Arizona, there is not a lot of need for a superhero with amazing water talents. Then Danny overhears a secret plot that will endanger thousands of people. Will anyone believe his story? Hi-Lo Chapter Books for Children. This series of short novels was designed to engage a broad spectrum of struggling readers. No longer will upper-elementary students have to read material junior to their maturity and interests. Characters are age appropriate and come from diverse cultures and backgrounds. Science fiction, sports, paranormal, realistic life, historical fiction, and fantasy are just a few of the many genres. Books are no higher than a 1.5 reading level, with illustrations on every spread that support visual literacy and draw kids into the text.

Poetry. A father's compassion, a son's attempted suicide, and an effort to reconcile the mystery of being through spirituality and the body intersect in FISH BOY.

The Arctic region of North America is a land of long days, icy cold, hardy people and peculiar creatures. The Inuit people there have made traditional use of remarkable folk tales to find truth and explain the mysteries of an astonishing world. In Fish-Boy: An Inuit Folk Tale, Vanita Oelschlager retells a tale passed down by a wise old Inuit. It's an origin story involving a little magic and a very odd boy with a large heart for friendship. On a journey with his new father, he must confront misfortune and the malice of cold hearted villagers. But he has a way...and a lesson for all in the virtues of kindness and hospitality. Here then, is high praise for the tale-tellers: for the richness, diversity and creativity they send from the top of the world- and so, also Fish Boy, An Inuit Folk Tale, retold here and lavishly illustrated for a new generation. After all, that is how ancient folk tales and truth live on in the telling.

Narrow is the road that leads to life, and only a few find it. There is no love in No Fish Boy Town, not even a drop. The courageous Fish Boy must venture through a far and narrow road to find what his town is missing! Through the strength of perseverance, the guidance of hope, and the desire for joy, Fish Boy finds a never-ending treasure, and it turns out that one happy heart can influence a whole town. Now just imagine if every town had just one Fish Boy . . .

This book explores the ways in which a range of recent American novelists have handled the genre of the 'coming-of-age' novel, or the Bildungsroman. Novels of this genre characteristically dramatise the vicissitudes of growing up and the trials and tribulations of young adulthood, often presented through depictions of immediate family relationships and other social structures. This book considers a variety of different American cultures (in terms of race, class and gender) and a range of contemporary coming-of-age novels, so that aesthetic judgements about the fiction might be made in the context of the social history that fiction represents. A series of questions are asked:* Does the coming-of-age moment in these novels coincide with an interpretation of the 'fall' of America?* What kind of national commentary does it therefore facilitate?* Is the Bildungsroman a quintessentially American genre?* What can it usefully tell us about contemporary American culture? Although the focus is on the conte