Fish Nets: The Second Guppy Anthology, dredges up even more thrills, chills, and gills. Like its predecessor, Fish Tales, this collection of mysteries by members of Sisters in Crime's "Guppies" group features the best of what the mystery genre has to offer--a fresh catch of mysterious murders, police procedurals, cozy characters, and hardboiled detectives--straight from the imaginations of some of mystery field's rising stars. Come on in, the water's fine! Don't mind the sharks... INTRODUCTION, by Kaye George THE WHITE FLIP-FLOP, by H.S. Stavropoulos NETTED, by KB Inglee DRESS FOR SUCCESS, by Diane Vallere SNARED, by Warren Bull REEF TOWN, by Kara Cerise THE GIRLS IN THE FISHNET STOCKINGS, by Judith Klerman Smith KEEPING UP APPEARANCES, by Julie Tollefson THE HINDI HOUDINI, by Gigi Pandian FISHING FOR JUSTICE, by Harriette Sackler CLEAN, by Steve Shrott INSIDE JOB, by Mysti Berry JOHN CALVIN CAN BITE ME, by Michelle Markey Butler FISHING FOR MURDER, by Teresa Hewitt Inge IN SEINE, by Katharine Russell LAWN BALLERINAS, by Beth Hinshaw DON’T TAKE THAT CHANCE, by Kate Fellowes THE LURE OF THE RAINBOW, by Gloria Alden COVER STORY, by Elaine Will Sparber THE RUNAWAY, by E. B. Davis ROUTINE CHANGES, by Betsy Bitner FISHY BUSINESS, by Jean Huffman THE STONECUTTER, by Edith Maxwell

A treasure trove of nine locked room mysteries from USA Today bestselling and Agatha Award-winning author Gigi Pandian, all set in the Jaya Jones world. Appearing here for the first time, novelette The Cambodian Curse: When an ancient and supposedly cursed Cambodian sculpture disappears from an impenetrable museum, and the carving’s owner is killed by an invisible assailant while a witness is a few feet away, historian Jaya Jones and her old nemesis Henry North team up to solve the baffling crime. Stories included: “The Cambodian Curse,” “The Hindi Houdini,” “The Haunted Room,” “The Library Ghost of Tanglewood Inn,” “The Curse of Cloud Castle,” “Tempest in a Teapot,” “A Dark and Stormy Light,” “The Shadow of the River,” plus bonus novella "Fool’s Gold". With an Introduction from New York Times bestselling author Laurie R. King addressing why we love locked rooms, and a Foreword from impossible crime mystery historian Douglas G. Greene, teasing out the tradition of John Dickson Carr that Pandian is following. This collection is filled with ingenious stories of magic, mystery, and history.

The internet is the most effective weapon the government has ever built. In this fascinating book, investigative reporter Yasha Levine uncovers the secret origins of the internet, tracing it back to a Pentagon counterinsurgency surveillance project. A visionary intelligence officer, William Godel, realized that the key to winning the war in Vietnam was not outgunning the enemy, but using new information technology to understand their motives and anticipate their movements. This idea -- using computers to spy on people and groups perceived as a threat, both at home and abroad -- drove ARPA to develop the internet in the 1960s, and continues to be at the heart of the modern internet we all know and use today. As Levine shows, surveillance wasn't something that suddenly appeared on the internet; it was woven into the fabric of the technology. But this isn't just a story about the NSA or other domestic programs run by the government. As the book spins forward in time, Levine examines the private surveillance business that powers tech-industry giants like Google, Facebook, and Amazon, revealing how these companies spy on their users for profit, all while doing double duty as military and intelligence contractors. Levine shows that the military and Silicon Valley are effectively inseparable: a military-digital complex that permeates everything connected to the internet, even coopting and weaponizing the antigovernment privacy movement that sprang up in the wake of Edward Snowden. With deep research, skilled storytelling, and provocative arguments, Surveillance Valley will change the way you think about the news -- and the device on which you read it.

Shakespeare is both the world's most quoted author and a frequent quoter himself. This volume unites these creative practices.

Life Is Short and Then You Die is the Mystery Writers of America's first teen anthology, edited by #1 New York Times bestselling author Kelley Armstrong. Adolescence is a time of “firsts.” First kiss. First love. First loss. First job. The first taste of adult responsibilities, and the first look at an independent life away from both the restrictions and the security of home. And in this case, a very different type of “first”: murder. This short story collection of murder mysteries adds a sinister spin to the joy and pain of firsts that have always been a major part of life, whether it be high school cliques who take the term “backstabbing” too seriously, stumbling upon a body on the way home from school, or receiving a Snapchat message that promises something deadly. Contributors include Barry Lyga, Caleb Roehrig, Emmy Laybourne, Jonathan Maberry, R.L. Stine, Rachel Vincent, Y.S. Lee, and more! An Imprint Book

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. Shooting an Elephant, the fifth in the Orwell’s Essays series, tells the story of a police officer in Burma who is called upon to shoot an aggressive elephant. Thought to be loosely based on Orwell’s own experiences in Burma, the tightly written essay weaves together fact and fiction indistinguishably, and leaves the reader contemplating the heavy topic of colonialism, with the words ‘when the white man turns tyrant it is his own freedom that he destroys’ echoing from the page. 'A remarkable piece.' (Jeremy Paxman) 'A writer who can – and must – be rediscovered with every age.' (Irish Times)