Do people with multiple personalities have more than one self? The first full-length philosophical study of multiple personality disorder, First Person Plural maintains that even the deeply divided multiple personality contains an underlying psychological unity. Braude updates his work in this revised edition to discuss recent empirical and conceptual developments, including the charge that clinicians induce false memories in their patients, and the professional redefinition of "multiple personality disorder" as "dissociative identity disorder."

Conjoined twins Owen and Porter Jamison, inhabiting one body with two heads, one torso, and two very different hearts, find their tentative bond threatened when Owen discovers that he is gay, which nearly destroys Porter's marriage as a complicated romantic rectangle develops. Original.

In this innovative exploration, told-to narratives, or collaboratively produced texts by Aboriginal storytellers and (usually) non-Aboriginal writers, are not romanticized as unmediated translations of oral documents, nor are they dismissed as corruptions of original works. Rather, the approach emphasizes the interpenetration of authorship and collaboration. Focused on the 1990s, when debates over voice and representation were particularly explosive, this captivating study examines a range of told-to narratives in conjunction with key political events that have shaped the struggle for Aboriginal rights to reveal how these narratives impact larger debates about Indigenous voice and literary and political sovereignty.

Donald Moss has assembled a lively and diverse collection of contributors for this volume, examining the prevalence and the virulence of hate-based ideation, feeling, and action.

Edmund Husserl's importance for the philosophy of our century is immense, but his influence has followed a curious path. Rather than continuous it has been recurrent, ambulatory and somehow irrepressible: no sooner does it wane in one locality than it springs up in another. After playing a major role in Germany during his lifetime, Husserl had been filed away in the history-books of that country when he was discovered by the French during and after World War II. And just as the phenomenological phase of French philosophy was ending in the 1960's, Husserl became important in North America. There his work was first taken seriously by a sizable minority of dissenters from the Anglo-American establish ment, the tradition of conceptual and linguistic analysis. More recently, some philosophers within that tradition have drawn on certain of Husserl's central concepts (intentionality, the noema) in addressing problems in the philosophy of mind and the theory of meaning. This is not to say that Husserl's influence in Europe has alto gether died out. It may be that he is less frequently discussed there directly, but (as I try to argue in the introductory essay of this volume) his influence lives on in subtler forms, in certain basic attitudes, strategies and problems.

Illustrated with more than 100 color photographs, A Home of Her Own showcases a wide variety of homes and tells the stories of their making.

When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play – the matter and the maker—thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.