Appearing here in English for the first time, this is F. W. J. Schelling's vital document of the attempts of German Idealism and Romanticism to recover a deeper relationship between humanity and nature and to overcome the separation between mind and matter induced by the modern reductivist program. Written in 1799 and building upon his earlier work, First Outline of a System of the Philosophy of Nature provides the most inclusive exposition of Schelling's philosophy of the natural world. He presents a startlingly contemporary model of an expanding and contracting universe; a unified theory of electricity, gravity magnetism, and chemical forces; and, perhaps most importantly, a conception of nature as a living and organic whole.

This is an English translation of Schelling's Ideas for a Philosophy of Nature (first published in 1797 and revised in 1803), one of the most significant works in the German tradition of philosophy of nature and early nineteenth-century philosophy of science. It stands in opposition to the Newtonian picture of matter as constituted by inert, impenetrable particles, and argues instead for matter as an equilibrium of active forces that engage in dynamic polar opposition to one another. In the revisions of 1803 Schelling incorporated this dialectical view into a neo-Platonic conception of an original unity divided upon itself. The text is of more than simply historical interest: its daring and original vision of nature, philosophy, and empirical science will prove absorbing reading for all philosophers concerned with post-Kantian German idealism, for scholars of German Romanticism, and for historians of science.

A lucid and crucial account of Schelling's major works in the philosophy of nature, now available in paperback.

This is the first English translation of Schelling's novel, most likely written after the death of his first wife, Caroline, the former wife of August Wilhelm Schlegel. Although only a fragment, Clara remains unique. Part novella, part philosophical tome, its central theme is the connection between this world and the next. Schelling masterfully weaves together his knowledge of animal magnetism, literary techniques, and his doctrine of the potencies to make his philosophy accessible to all. Steinkamp addresses the main issues concerning the dating of the work—many commentators have deemed Clara to be a sketch for Schelling's The Ages of the World or an outline for the third, missing book of that work—and provides a short biography of Schelling with particular emphasis on events claimed to play a role in the conception of Clara, such as the deaths of both Caroline and her daughter, Auguste. She also shows how passages in Clara are strikingly similar to the content of Schelling's touching letters mourning Caroline, written to Pauline, the daughter of Caroline's best friend and the woman who would become his second wife. Clara, strongly influenced by the Romantic movement, is an early illustration of Schelling's attempt to unite his positive and negative philosophy.

The Vegetative Soul demonstrates that one significant resource for the postmodern critique of subjectivity can be found in German Idealism and Romanticism, specifically in the philosophy of nature. Miller demonstrates that the perception of German Idealism and Romanticism as the culmination of the philosophy of the subject overlooks the nineteenth-century critique of subjectivity with reference to the natural world. This book's contribution is its articulation of a plant-like subjectivity. The vision of the human being as plant combats the now familiar conception of the modern subject as atomistic, autonomous, and characterized primarily by its separability and freedom from nature. Reading Kant, Goethe, Hölderlin, Hegel, and Nietzsche, Miller juxtaposes two strands of nineteenth-century German thought, comparing the more familiar "animal" understanding of individuation and subjectivity to an alternative "plantlike" one that emphasizes interdependence, vulnerability, and metamorphosis. While providing the necessary historical context, the book also addresses a question that has been very important for recent feminist theory, especially French feminism, namely, the question of the possible configuration of a feminine subject. The idea of the "vegetative" subject takes the traditional alignment of the feminine with nature and the earth and subverts and transforms it into a positive possibility. Although the roots of this alternative conception of subjectivity can be found in Kant's third Critique and its legacy in nineteenth-century Naturphilosophie, the work of Luce Irigaray brings it to fruition.

Post-Continental Philosophy outlines the shift in Continental thought over the last 20 years through the work of four central figures: Gilles Deleuze, Alain Badiou, Michel Henry, and François Laruelle. Though they follow seemingly different methodologies and agendas, each insists on the need for a return to the category of immanence if philosophy is to have any future at all. Rejecting both the German phenomenological tradition of transcendence (of the Ego, Being, Consciousness, Alterity, or Flesh), as well as the French Structuralist valorisation of Language, they instead take the immanent categories of biology (Deleuze), mathematics (Badiou), affectivity (Henry), and axiomatic science (Laruelle) as focal points for a renewal of thought. Consequently, Continental philosophy is taken in a new direction that engages science and nature with a refreshingly critical and non-reductive approach to life, set-theory, embodiment, and knowledge. However, each of these new philosophies of immanence still regards what the other is doing as transcendent representation, raising the question of what this return to immanence really means. John Mullarkey's analysis provides a startling answer. By teasing out their internal differences, he discovers that the only thing that can be said of immanence without falling back into transcendent representation seems not to be a saying at all but a 'showing', a depiction through lines. Because each of these philosophies also places a special value on the diagram, the common ground of immanence is that occupied by the philosophical diagram rather than the word. The heavily illustrated final chapter of the book literally outlines how a mode of philosophical discourse might proceed when using diagrams to think immanence.

System of Transcendental Idealism is probably Schelling's most important philosophical work. A central text in the history of German idealism, its original German publication in 1800 came seven years after Fichte's Wissenschaftslehre and seven years before Hegel's Phenomenology of Spirit.