"A multilayered, highly informative and insightful book that blends memoir, historical and travel narrative-vivid and meticulously researched."--San Francisco Chronicle

This book details the interactions between the Seeds of Rangiatea, New Zealand’s Maori people of Polynesian origin, and Europe from 1769 to 1900. It provides a case-study of the way Imperial era contact and colonization negatively affected naturally evolving demographic/epidemiologic transitions and imposed economic conditions that thwarted development by precursor peoples, wherever European expansion occurred. In doing so, it questions the applicability of conventional models for analyses of colonial histories of population/health and of development. The book focuses on, and synthesizes, the most critical parts of the story, the health and population trends, and the economic and social development of Maori. It adopts demographic methodologies, most typically used in developing countries, which allow the mapping of broad changes in Maori society, particularly their survival as a people. The book raises general theoretical questions about how populations react to the introduction of diseases to which they have no natural immunity. Another more general theoretical issue is what happens when one society’s development processes are superseded by those of some more powerful force, whether an imperial power or a modern-day agency, which has ingrained ideas about objectives and strategies for development. Finally, it explores how health and development interact. The Maori experience of contact and colonization, lasting from 1769 to circa 1900, narrated here, is an all too familiar story for many other territories and populations, Natives and former colonists. This book provides a case-study with wider ramifications for theory in colonial history, development studies, demography, anthropology and other fields.

A narrative of Cook's three voyages to the Pacific and Australasia : the first voyage (in "Endeavour") and the second (in "Resolution" and "Adventure") are largely retold in the third person, with some quotations from Cook's own writings (p. 1-228); the third voyage (in "Resolution" and "Discovery") consists of copious sections of Cook's own account plus accounts by Captains King and Clerke, in addition to the third-person narrative (p. 229-479).

"Suzanne Turley - one of New Zealand's most sought-after landscape designers - has created many of the country's most desirable private gardens, all set against the spectacular backdrop of the natural environment. From the pristine Pacific beaches of the North Island to the breathtaking peaks of the Southern Alps, this book gives readers rare access to these hidden gardens nestled alongside coastal cliffs and surging rivers, woven into bush or etched seamlessly into volcanic hills. Now available as a smaller edition of the original, Private Gardens of Aotearoa is both an exemplar of cutting-edge landscape design and a travelogue of a country feted for the magnificence of its natural features."--Back cover.

The very first maps, oral maps made by early Polynesian and Maori settlers, were waypoints, lists of places in songs, chants, karakia and stories that showed direction. Hundreds of years later, Abel Tasman made the first attempt at a physical map; followed more than a century later by James Cook, whose more detailed map was made as he circumnavigated Aotearoa. Once the detail of the coastline was filled in, it was the turn of the surveyors, explorers, rockhounds, gold diggers and politicians to negotiate the internal detail. The story of these maps is also the story of Aotearoa New Zealand. Disclaimer: Due to limitations of ebook files, the finer details of some maps in this ebook are not entirely clear.

Do you know about the Word Witch? Has she cast her spell over you? This bestselling book now comes with a CD of poems performed by Margaret Mahy. She can lasso with a limerick, haunt with a haiku and wrap you tight in a rhyme, quick as lightning. Her cauldron is a dictionary, her wand a mighty pen, and she stirs her words at midnight, making tempting treats for children, to please and tease and tantalise them with imaginary treasures and delectable dreams. She weaves words into adventures, sets verses wildly dancing, makes similes sing and stamp their feet and poems purr like pussycats who've eaten all the cream. Her name is Margaret Mahy. These are her spells.