"A wordless graphic novel in which twelve-year-old Marisol must adapt to a new life 1960s Brooklyn after her parents send her to the United States from Cuba to keep her safe during Castro's regime."--

Ick is feeling down, under-the-weather BLEH! But lucky for him, his pal Crud is there to cheer him up.

Something big is happening in the barn. The animals are all making a fuss. No good dog can resist the chance to sniff out the mystery.

The First Chapters uncovers the origins of the first paragraph or chapter divisions in copies of the Christian Scriptures. Its focal point is the magnificent, fourth-century Codex Vaticanus (Vat.gr. 1209; B 03), perhaps the single most significant ancient manuscript of the Bible, and the oldest material witness to what may be the earliest set of numbered chapter divisions of the Bible. The First Chapters tells the history of textual division, starting from when copies of Greek literary works used virtually no spaces, marks, or other graphic techniques to assist the reader. It explores the origins of other numbering systems, like the better-known Eusebian Canons, but its theme is the first set of numbered chapters in Codex Vaticanus, what nineteenth-century textual critic Samuel P. Tregelles labelled the Capitulatio Vaticana. It demonstrates that these numbers were not, as most have claimed, late additions to the codex but belonged integrally to its original production. The First Chapters then breaks new ground by showing that the Capitulatio Vaticana has real precursors in some much earlier manuscripts. It thus casts light on a long, continuous tradition of scribally-placed, visual guides to the reading and interpreting of Scriptural books. Finally, The First Chapters exposes abundant new evidence that this early system for marking the sense-divisions of Scripture has played a much greater role in the history of exegesis than has previously been imaginable.

'High energy, highly unique, swashbuckling-cop-epic-noir story. Buy it. BUY IT NOW' Sam Sykes The Greatcoats are back - and this time it's personal. How do you kill a Saint? Falcio, Brasti and Kest are about to find out, as someone is doing just that, and they've started with a friend. The Dukes were already looking for ways to weasel out of their promise to put Aline on her father's throne - but with Saints turning up dead, and Church Inquistitors pushing for control - rumours are spreading that the Gods themselves oppose her ascension. The only way Falcio can stop the country turning into a vicious theocracy is to find and stop the Saint-killer - but his only clue is the iron mask encasing the head of the Saint of Mercy, which prevents her from speaking. And even if he can find the murderer, he will still have to face them in battle - and this may be a duel that no swordsman, no matter how skilled, can win.

When Wyl Thirsk, General of the Morgravian Legion, is forced to watch the torture of Myrren, a young woman accused of witchcraft, it seems little enough comfort to speed her passing. But Myrren is grateful for even this small mercy and promises Wyl a gift. He thanks her but dismisses the notion - what could this poor, doomed girl have to give him? It is only years later that Wyl, shorn of his friends and allies, betrayed by his king, and forced to make an impossible choice, remembers the dying words of the young woman about to burn for the crime of witchcraft. As his enemy's sword draws closer, Wyl finally understands the meaning of Myrren's dying words, and he wonders: had he known what that one act of kindness would bring, would he have behaved otherwise? Gripping the reader from the very first page, Myrren's Gift marks Fiona McIntosh as one of fantasy fiction's most gifted storytellers.