On April 21, 1930—Easter Monday—some rags caught fire under the Ohio Penitentiary’s dry and aging wooden roof, shortly after inmates had returned to their locked cells after supper. In less than an hour, 320 men who came from all corners of Prohibition-era America and from as far away as Russia had succumbed to fire and smoke in what remains the deadliest prison disaster in United States history. Within 24 hours, moviegoers were watching Pathé’s newsreel of the fire, and in less than a week, the first iteration of the weepy ballad “Ohio Prison Fire” was released. The deaths brought urgent national and international focus to the horrifying conditions of America’s prisons (at the time of the fire, the Ohio Penitentiary was at almost three times its capacity). Yet, amid darkening world politics and the first years of the Great Depression, the fire receded from public concern. In Fire in the Big House, Mitchel P. Roth does justice to the lives of convicts and guards and puts the conflagration in the context of the rise of the Big House prison model, local and state political machinations, and American penal history and reform efforts. The result is the first comprehensive account of a tragedy whose circumstances—violent unrest, overcrowding, poorly trained and underpaid guards, unsanitary conditions, inadequate food—will be familiar to prison watchdogs today.

Roth explores the lives of prisoners and others as well as the political and social circumstances of the Ohio Penitentiary Fire in this first comprehensive account of a tragedy whose circumstances--violent unrest, overcrowding, poorly trained and underpaid guards, unsanitary conditions, inadequate food--will be familiar to prison watchdogs today.

Shirley Jackson meets "The X-Files" in this riveting novel of supernatural horror.

It starts out innocently enough, when reporters Tony Dumont and Robin Shepherd are sent to interview teenager Mark Elias, a scientific genius, about a scholarship he has won. But it is quickly clear that there is something very strange about the Elias family. Mark and his sister Shirley spend long hours behind closed doors conducting weird and inscrutable experiments involving electricity and a tape recorder. And then there is old Mrs. Elias, the children's grandmother, who died recently and whom the family seems terrified to discuss. The two journalists believe there may be a more serious news story than the one they were sent to cover, but they have no idea how serious--until people begin to die...

"If You Don't Know Me By Now," "The Love I Lost," "The Soul Train Theme," "Then Came You," "Ain't No Stoppin' Us Now"--the distinctive music that became known as Philly Soul dominated the pop music charts in the 1970s. In A House on Fire, John A. Jackson takes us inside the musical empire created by Kenny Gamble, Leon Huff, and Thom Bell, the three men who put Philadelphia Soul on the map. Here is the eye-opening story of three of the most influential and successful music producers of the seventies. Jackson shows how Gamble, Huff, and Bell developed a black recording empire second only to Berry Gordy's Motown, pumping out a string of chart-toppers from Harold Melvin & the Blue Notes, the Spinners, the O'Jays, the Stylistics, and many others. The author underscores the endemic racism of the music business at that time, revealing how the three men were blocked from the major record companies and outlets in Philadelphia because they were black, forcing them to create their own label, sign their own artists, and create their own sound. The sound they created--a sophisticated and glossy form of rhythm and blues, characterized by crisp, melodious harmonies backed by lush, string-laden orchestration and a hard-driving rhythm section--was a glorious success, producing at least twenty-eight gold or platinum albums and thirty-one gold or platinum singles. But after their meteoric rise and years of unstoppable success, their production company finally failed, brought down by payola, competition, a tough economy, and changing popular tastes. Funky, groovy, soulful--Philly Soul was the classic seventies sound. A House on Fire tells the inside story of this remarkable musical phenomenon.

“A masterfully written saga of family drama in the vein of Celeste Ng, Liane Moriarty, and Sally Hepworth” (Book Reporter) about a blended family in crisis after a drunk driving accident leaves one parent’s daughter dead—and the other’s son charged with manslaughter. Divorce lawyer Leigh Huyett knows all too well that most second marriages are doomed to fail. Yet five years in, she and Pete Conley couldn’t be happier with their blended family. But one rainy Friday night, on the way back from celebrating their anniversary, Peter and Leigh receive horrific news. Peter’s son Kip, a high school senior, has crashed his truck and been arrested for drunk driving. And Leigh’s fourteen-year-old daughter, Chrissy, was with him. Twelve hours later, Chrissy is dead and Kip is charged with manslaughter. Reeling with grief, Leigh nonetheless does her best to rally behind Peter and Kip. That is, until Kip changes his story and claims that he wasn’t driving after all—Chrissy was, and he swears there is a witness. As they hurtle toward Kip’s trial date, husband and wife are torn between loyalty to their children and to each other, while the mystery of what really happened that night looms large.

A Belletrist Book Club Pick What would you do if you found the spark that made you feel whole again? After twelve years of marriage and two kids, Merit has begun to feel like a stranger in her own life. She loves her husband and sons, but she desperately needs something more than sippy cups and monthly sex. So, she returns to her career at Jager + Brandt, where a brilliant and beautiful Danish architect named Jane decides to overlook the “break” in Merit’s résumé and give her a shot. Jane is a supernova—witty and dazzling and unapologetically herself—and as the two work closely together, their relationship becomes a true friendship. In Jane, Merit sees the possibility of what a woman could be. And Jane sees Merit exactly for who she is. Not the wife and mother dutifully performing the roles expected of her, but a whole person. Their relationship quickly becomes a cornerstone in Merit’s life. And as Merit starts to open her mind to the idea of more—more of a partner, more of a match, more out of love—she begins to question: What if the love of her life isn’t the man she married. What if it’s Jane?