No one preaches in a cultural vacuum. The message of what God has done in Christ is good news to all, but to have the greatest impact on its hearers--or even to be understood at all--it must be culturally contextualized. Finding Our Voice speaks clearly to an issue that has largely been ignored: preaching to Asian North American (ANA) contexts. In addition to reworking hermeneutics, theology, and homiletics for these overlooked contexts, Kim and Wong include examples of culturally-specific sermons and instructive questions for contextualizing one's own sermons. Finding Our Voice is essential reading for all who preach and teach in ANA contexts. But by examining this kind of contextualization in action, all who preach in their own unique contexts will benefit from this approach.

The American Voice looks to find the vital edge of modern American writing. The journal, whose contributors come from the U.S., Canada, and Latin America, often publishes work by writers denied access to mainstream journals. Writings from its pages have been regularly reprinted in prize annuals such as The Pushcart Prize, Best American Poetry, and Best American Essays. This fifteenth anniversary anthology collects eighty poems from some of the most original and daring writers of our time. The anthology's contributors range from the world famous Jorge Luis Borges, Marge Piercy, May Swenson to the newly emerging Marie Sheppard Williams, Suzanne Gardinier, Robyn Selman and from the nationally read Wendell Berry, Reynolds Price, Barbara Kingsolver to the distinctly regional George Ella Lyon, Jane Gentry, James Still. This volume brings together some of the best selections from an award-winning journal, making clear why Small Press dubbed The American Voice one of the "most impressive journals in the country."

A NEW YORK TIMES BESTSELLER Finalist for the NAACP Image Award for "Outstanding Literary Work" "Valerie has been one of Barack and my closest confidantes for decades... the world would feel a lot better if there were more people like Valerie blazing the trail for the rest of us."--Michelle Obama "The ultimate Obama insider" (The New York Times) and longest-serving senior advisor in the Obama White House shares her journey as a daughter, mother, lawyer, business leader, public servant, and leader in government at a historic moment in American history. When Valerie Jarrett interviewed a promising young lawyer named Michelle Robinson in July 1991 for a job in Chicago city government, neither knew that it was the first step on a path that would end in the White House. Jarrett soon became Michelle and Barack Obama's trusted personal adviser and family confidante; in the White House, she was known as the one who "got" him and helped him engage his public life. Jarrett joined the White House team on January 20, 2009 and departed with the First Family on January 20, 2017, and she was in the room--in the Oval Office, on Air Force One, and everywhere else--when it all happened. No one has as intimate a view of the Obama Years, nor one that reaches back as many decades, as Jarrett shares in Finding My Voice. Born in Iran (where her father, a doctor, sought a better job than he could find in segregated America), Jarrett grew up in Chicago in the 60s as racial and gender barriers were being challenged. A single mother stagnating in corporate law, she found her voice in Harold Washington's historic administration, where she began a remarkable journey, ultimately becoming one of the most visible and influential African-American women of the twenty-first century. From her work ensuring equality for women and girls, advancing civil rights, reforming our criminal justice system, and improving the lives of working families, to the real stories behind some of the most stirring moments of the Obama presidency, Jarrett shares her forthright, optimistic perspective on the importance of leadership and the responsibilities of citizenship in the twenty-first century, inspiring readers to lift their own voices.

Performers of all ages and abilities will gain valuable insight into the mechanics, psychology and physiology of singing. The accompanying CD - in Jennifer's own voice - captures a conversation about her ideas and journey, as well as exercises that will help you discover and release your true and best instrument.

A “fascinating, well-researched account” of Mildred Gillars, the failed actress who turned on her country and became a Nazi propagandist during WWII (Publishers Weekly). One of the most notorious Americans of the twentieth century was a failed Broadway actress turned radio announcer named Mildred Gillars (1900–1988), better known to American GIs as “Axis Sally.” Despite the richness of her life story, there has never been a full-length biography of the ambitious, star-struck Ohio girl who evolved into a reviled disseminator of Nazi propaganda. At the outbreak of war in September 1939, Gillars had been living in Germany for five years. Hoping to marry, she chose to remain in the Nazi-run state even as the last Americans departed for home. In 1940, she was hired by the German overseas radio, where she evolved from a simple disc jockey and announcer to a master propagandist. Under the tutelage of her married lover, Max Otto Koischwitz, Gillars became the personification of Nazi propaganda to the American GI. Spicing her broadcasts with music, Gillars’s used her soothing voice to taunt Allied troops about the supposed infidelities of their wives and girlfriends back home, as well as the horrible deaths they were likely to meet on the battlefield. Supported by German military intelligence, she was able to convey personal greetings to individual US units, creating an eerie foreboding among troops who realized the Germans knew who and where they were. After broadcasting for Berlin up to the very end of the war, Gillars tried but failed to pose as a refugee, and was captured by US authorities. Her 1949 trial for treason captured the attention and raw emotion of a nation fresh from the horrors of the Second World War. Gillars’s twelve-year imprisonment and life on parole, including a stay in a convent, is a remarkable story of a woman who attempts to rebuild her life in the country she betrayed.

Learning to tell a compelling research story can have a significant impact on your career. It can make you stand out at professional conferences, on the job market, or during an ideal networking opportunity. It is easy to tell a research story badly. It takes time and effort to learn to tell a research story well. This compact and engaging volume presents a series of techniques followed by theatre-inspired, field tested exercises that will help you improve your research presentations. Once you’ve learned how to create a dynamic live performance of your research story, you may find that this professional obligation is no longer something to dread, and may even become a highlight of your research experience.

A shocking and honest account of the culture war at American universities, giving you a front-row seat to campus indoctrination. As a biomedical sciences student, Isabel Brown never anticipated finding herself immersed in a world of leftism, silenced by the thought police, and afraid to speak up for conservative values, but this is the reality that defined her college experience. Isabel's story is a compelling memoir about the current state of affairs on America's college campuses-unveiling the truth that university administrators don't want you to hear-and a reminder of the need for true ideological diversity. Frontlines: Finding My Voice on an American College Campus is a call to action for us all to boldly fight for the future of American culture on and off campus.