Human space has been long developed; and human history has been, typically, one hell of a roller-coaster ride. Mankind has, however, ensured the survival of the species by building homes everywhere, some of which are hidden. The Zeus System—encompassing the Twin Worlds of Diana and Apollo, a binary planet system orbiting Zeus of the Gemini cluster—is beyond Drago Leonis, 863 light-years from Earth. The year is 6229 of the terran-standard calendar. Having spent two thousand years clawing back from the hunter-gatherer stage they were bombed into, by the confederation, the Twin Worlders were finally back at the level of a late twenty-first-century civilization. It was a hard-fought struggle and was only possible because of the only significant technology that survived the initial onslaught—Latona, the Oracle. An artificial intelligence is inhabiting a facility buried deep under Mount Parnassus on Diana; and as a part of her systems, she includes the full Terran Encyclopedia, initially created by the Second Terran Republic. Now, the confederation has found them again, but memories are short, records are fragile, and two thousand years is a long time. The confederation has forgotten why they had attacked the Twin Worlds the first time. Indeed, it is not quite the same confederation anymore either. In some important ways, it was much worse. However, Latona does remember, and she knows that her time has just run out and her charges are nowhere near ready to defend their worlds. Latona must reacquire star-faring technology while keeping her secrets hidden. She must prepare her charges for the interstellar war that she knows will come while living under the very nose of the confederation and before the confederation discovers the secrets of the Twin Worlds.

Moss, a young crow-boy, is the Protector of the Fernbough Forests. He wanders the woods and does his best to maintain the balance of the world around him. It’s hard work, made even harder by the recent loss of his best friend and fellow Protector Ward. Still, Moss works himself to the bone in order to serve his community as best as he can. When a massive storm comes to the forest, threatening to destroy the life Moss has built on his own, he turns to his community in hopes of keeping everyone safe. During the storm however, a new kind of magic begins to brew, and Moss finds himself transported to a mysterious forest far away from everything he’s come to know. As forces of darkness and destruction rage around Moss, he must decide what he really needs. To save this forest from a raging disease– and to find his way home– Moss will meet the unknown with his magic, friendship, and a forever-shifting world with a new outlook on what family means to him.

Marlowe's seven plays dramatise the fatal lure of potent forces, whether religious, occult or erotic. In the victories of Tamburlaine, Faustus's encounters with the demonic, the irreverence of Barabas in THE JEW OF MALTA, and the humiliation of Edward II in his fall from power and influence, Marlowe explores the shifting balance between power and helplessness, the sacred and its desecration.

Christopher Marlowe: Poet & Spy is the most thorough and detailed life of Marlowe since John Bakeless's in 1942. It has new material on Marlowe in relation to Canterbury, also on his home life, schooling, and six and a half years at Corpus Christi College, Cambridge, and includes fresh data on his reading, teachers, and early achievements, including a new letter with a new date for the famous 'putative portrait' of Marlowe at Cambridge. The biography uses for the first time the Latin writings of his friend Thomas Watson to illuminate Marlowe's life in London and his career as a spy (that is, as a courier and agent for the Elizabethan Privy Council). There are new accounts of him on the continent, particularly at Flushing or Vlissingen, where he was arrested. The book also more fully explains Marlowe's relations with his chief patron, Thomas Walsingham, than ever before. This is also the first biography to explore in detail Marlowe's relations with fellow playwrights such as Kyd and Shakespeare, and to show how Marlowe's relations with Shakespeare evolved from 1590 to 1593. With closer views of him in relation to the Elizabethan stage than have appeared in any biography, the book examines in detail his aims, mind, and techniques as exhibited in all of his plays, from Dido, the Tamburlaine dramas, and Doctor Faustus through to The Jew of Malta and Edward II. It offers new treatments of his evolving versions of 'The Passionate Shepherd', and displays circumstances, influences, and the bearings of Shakespeare's 'Venus and Adonis' in relation to Marlowe's 'Hero and Leander'. Throughout, there is a strong emphasis on Marlowe's friendships and so-called 'homosexuality'. Fresh information is brought to bear on his seductive use of blasphemy, his street fights, his methods of preparing himself for writing, and his atheism and religious interests. The book also explores his attraction to scientists and mathematicians such as Thomas Harriot and others in the Ralegh-Northumberland set of thinkers and experimenters. Finally, there is new data on spies and business agents such as Robert Poley, Nicholas Skeres, and Ingram Frizer, and a more exact account of the circumstances that led up to Marlowe's murder.

Marlowe was an enigmatic character – part poet, scholar, soldier, spy and tavern brawler – and his legend continues to elude historians. This eBook provides readers with a new and erudite edition of Marlowe’s works, offering every play, poem, translation and much more. Now you can truly own all of Marlowe’s works and a range of BONUS material on your eReader, and all in one well-organised file. (Current version: 4) * concise introductions to the plays and other works * ALL the plays, each with its own contents table – navigate easily between acts and scenes – find that special quotation quickly! * even includes the apocryphal play LUST’S DOMINION, available nowhere else * contains both versions (A & B) of DOCTOR FAUSTUS * ALL the poetry, with excellent formatting * beautiful images relating to Marlowe’s life, locations and works * EVEN includes the SOURCES for some of the plays, allowing you to explore Marlowe’s inspiration * INCLUDES no less than 4 biographies – explore the playwright’s mysterious life from multiple sources across history * the SPECIAL literary criticism section boasts four works that examine Marlowe’s contribution to literature * scholarly ordering of texts into chronological order and literary genres * includes a front MASTER table of contents, allowing easy navigation around Marlowe’s immense oeuvre * features a special ‘Glossary of Elizabethan Language’, which will aid your comprehension of difficult words and phrases Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Plays DIDO, QUEEN OF CARTHAGE THE SOURCE TEXT OF DIDO, QUEEN OF CARTHAGE TAMBURLAINE THE GREAT PART 1 TAMBURLAINE THE GREAT PART 2 THE JEW OF MALTA DOCTOR FAUSTUS (A TEXT) DOCTOR FAUSTUS (B TEXT) EDWARD II THE SOURCE TEXT OF EDWARD II THE MASSACRE AT PARIS The Apocryphal Play LUST’S DOMINION The Poetry TRANSLATION OF BOOK ONE OF LUCAN’S THE PHARSALIA TRANSLATION OF OVID’S ELEGIES THE PASSIONATE SHEPHERD TO HIS LOVE THE NYMPH’S REPLY TO THE SHEPHERD BY SIR WALTER RALEIGH HERO AND LEANDER FRAGMENT IN OBITUM HONORATISSIMI VIRI, ROGERI MANWOOD etc. DIALOGUE IN VERSE EPIGRAMS BY J.D. The Criticism EXTRACTS FROM ‘THE LIFE OF WILLIAM SHAKESPEARE’ BY SIDNEY LEE THE INFLUENCE OF CHRISTOPHER MARLOWE ON SHAKSPERE’S BY A. W. VERITY EXTRACT FROM ‘A STUDY OF SHAKESPEARE’ BY ALGERNON CHARLES SWINBURNE SOME NOTES ON THE BLANK VERSE OF CHRISTOPHER MARLOWE BY T.S. ELIOT The Biographies MARLOWE AND HIS ASSOCIATES BY JOHN H. INGRAM THE MUSES’ DARLING BY CHARLES NORMAN CHRISTOPHER MARLOWE BY J. G. LEWIS THE DEATH OF CHRISTOPHER MARLOWE BY J. LESLIE HOTSON GLOSSARY OF ELIZABETHAN LANGUAGE Please visit www.delphiclassics.com to browse through our range of exciting titles

For those who doubt that the actor from Stratford, William Shakspere, wrote the works of Shakespeare, the brilliant poet and playwright Christopher Marlowe has always been the professional candidate. In this book, which argues that a chronological approach is essential, Donna N. Murphy employs a variety of tools to document a Marlowe-Shakespeare continuum (with her proposed dates of first-version authorship) in The Taming of the Shrew, c. 1590; II and III Henry VI, c. 1590; Edward III c. 1590–1; Titus Andronicus c. 1591–3; Thomas of Woodstock c. 1593; Romeo and Juliet c. 1595–6; and I Henry IV, c. 1596–7. Her research firmly supports the theory that Christopher Marlowe, living on after he supposedly died, was the main hand behind the works of Shakespeare.

The defeat and death of the evil Wulfgar should inspire a time of rejoicing throughout Eutracia. But Prince Tristan grieves. Not only is his beloved wife dead, but across the Sea of Whispers, in the island fortress known as the Citadel, Wulfgar’s bride, the sorceress Serena, plots to continue her husband’s nefarious plans, aided by the Scroll of the Vagaries and the advice of the otherworldly Heretics. Although the ranks of Tristan’s faithful soldiers were decimated in recent battle, the prince nevertheless plans a bold surprise attack. But on the eve of the mission, disaster strikes. From behind the towering azure wall of magical energy in the forbidding face of the massive Tolenka Mountains comes Xanthus, a powerful warrior dispatched by the Heretics to bring Tristan into their mysterious realm. A master of a mystical martial art against which even the great swordsman Tristan is helpless, Xanthus launches a reign of terror against Eutracia’s innocent subjects, compelling Tristan to journey behind the azure wall. There, in a magical land as beautiful as it is violent, Tristan will learn the shocking truth about the destiny he and Shailiha, his sister, will share. In Tristan’s absence, Shailiha must lead the fleet of Black Ships against the Citadel, accompanied by the wizards Faegan and Wigg and the beautiful pirate queen Tyranny. But unknown to them, Serena has prepared a deadly trap with hellish creatures summoned by the Heretics. And as Shailiha’s troops sail blindly into danger, Serena is preparing a spell unlike anything the world has ever seen–a spell powerful enough to defeat death itself.