First published on March 9, 1907, The Moving Picture World was the first trade paper of the film industry. It continued until December 31, 1927. This index directs researchers to the appropriate pages of the magazine for biographical and career data on the early filmmakers--i.e., anyone involved in making a film: actors and actresses, producers, directors, camera grinders, writers, editors, company presidents, technical directors, stunt extras, and many others. Each entry includes professional postion or job slot, real name (if applicable), any relatives in cinema, article citations, the date and page location of the citations, and a notice of illustrations within the article.

The four volumes of Film Study include a fresh approach to each of the basic categories in the original edition. Volume one examines the film as film; volume two focuses on the thematic approach to film; volume three draws on the history of film; and volume four contains extensive appendices listing film distributors, sources, and historical information as well as an index of authors, titles, and film personalities.

The Adventures of Cinema Dave is a celebration of films from the turn of the recent century. Dave Montalbano, alias Cinema Dave, wrote over 500 film reviews and interviewed Hollywood Legends such as Fay Wray, Louise Fletcher, Dyan Cannon and new talent like Josh Hutcherson, Jane Lynch and Courtney Ford. With South Florida as his home base, Cinema Dave details his growing involvement with the Fort Lauderdale, Palm Beach and Delray Film Festivals, while covering local interest stories about individuals who contribute to the film culture. Featuring a fun introduction from Cindy Morgan, actress from Caddyshack and Tron fame, and an extensive appendix of Literary Cinema, The Adventures of Cinema Dave is a saga about one mans bibliomania and his pursuit of an entertaining story in the big cave known as cinema.

The Moving Image: A Complete Introduction to Film provides students with an accessible and complete introduction to the world of motion pictures. The text covers the basics of how films are constructed, why they matter, and how to analyze them. It highlights diverse filmmakers and approaches, through the study of feature films, music videos, short films, and new media. The text begins by defining cinema, discussing its origins, and introducing students to pioneers of film, including Eadweard Muybridge, Alice Guy-Blaché, and Thomas Edison. Later chapters discuss the fundamentals of film analysis and the concepts of ideology, representation, and identity in film. Students learn about cinematography, narrative structure, sound, editing, acting styles and methodologies, and the various aspects that go into creating a scene. The book features chapters devoted to experimental and cult cinema, documentaries, and animation and CGI technology. It closes with chapters that address authorship and provide an overview of key genres in filmmaking. Designed to provide students with a comprehensive primer on film and cinema, The Moving Image is well suited for film appreciation or introductory film courses.

An authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the field First collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the field Features over 30 original essays from some of the leading scholars in early cinema and Film Studies, including Tom Gunning, Jane Gaines, Richard Abel, Thomas Elsaesser, and André Gaudreault Caters to renewed interest in film studies’ historical methods, with strict analysis of multiple and competing sources, providing a critical re-contextualization of films, printed material and technologies Covers a range of topics in early cinema, such as exhibition, promotion, industry, pre-cinema, and film criticism Broaches the latest research on the subject of archival practices, important particularly in the current digital context

The moderate climate and majestic western landscapes of New Mexico make it an enchanting locale for the motion picture industry. Thomas A. Edison's crew shot the very first film in the state at the Isleta Indian Pueblo in 1897. Silent-era icons like directors Romaine Fielding and Tom Mix shortly followed to take over the small town of Las Vegas, setting the stage for an explosion of western movies. Today, New Mexico's generous incentive programs and quality facilities make it one of the top filming destinations in the country, attracting big projects like the Academy Award-winning No Country for Old Men and AMC's critically acclaimed television series Breaking Bad. In this comprehensive volume, local author and film historian Jeff Berg explores the history and legacy of New Mexico on the big screen.