Over the last century, many 16th- and 17th-century events and personalities have been brought before home, cinema, exhibition, festival and theatrical audiences. This collection examines these representations, looking at recent television series, documentaries, pageantry, theatre and popular culture in various cultural and linguistic guises.

Catholic or Protestant, recusant or godly rebel, early modern women reinvented their spiritual and gendered spaces during the reformations in religion in England during the sixteenth century and beyond. These essays explore the ways in which some Englishwomen struggled to erase, rewrite, or reimagine their religious and gender identities.

This collection of essays highlights the great variety one finds in contemporary scholarly discourse in the fields of English and American studies and English linguistics in a broad and inclusive way. It is divided into thematically structured sections, the first two of which examine the motif of travelling and images of recollection in literary works, while the third and the fourth parts deal with male and female voices in narratives. Another chapter discusses visual and textual representations of history. The last two subsections focus on the rhetorical and theoretical questions of language. The pluralism of themes indicated in the book’s title can thus be regarded not as a limitation, but, rather, as evidence of its potential.

The Borgia Family: Rumor and Representation explores the historical and cultural structures that underpin the early modern Borgia family, their notoriety, and persistence and reinvention in the popular imagination. The book balances studies focusing on early modern observations of the Borgias and studies deconstructing later incarnations on the stage, on the page, on the street, and on the screen. It reveals how contemporary observers, later authors and artists, and generations of historians reinforced and perpetuated both rumor and reputation, ultimately contributing to the Borgia Black Legend and its representations. Focused on the deeds and posthumous reputations of Pope Alexander VI and his children, Cesare and Lucrezia Borgia, the volume charts the choices made by the family and contextualizes them amid contemporary expectations and reactions. Extending beyond their deaths, it also investigates how the Borgias became emblems of anti-Catholic and anti-Spanish criticism in the later early modern period and their residing reputation as the best and worst of the Renaissance. Exploring a spectrum of traditional and modern media, The Borgia Family contextualizes both Borgia deeds and their modern representations to analyze the family’s continuing history and meaning in the twenty-first century. It will be of great interest to researchers and students working on interdisciplinary aspects of the Renaissance and early modern Italy.

Each age produces its own Henry(s). This innovative study in popular culture examines how novels, films, TV-series and historiography shape new versions of Henry VIII for the twenty-first century. From The Other Boleyn Girl to The Tudors, 2009’s quint-centenary celebrations of Henry’s coronation and Wolf Hall, (hi)stories are produced, distributed and used in very different ways. In each case, the producers’ intentions, the narrative and the targeted audiences all contribute to the discourses on Henry VIII. However, there no longer exists a universally accepted popularization of Tudor history, so certain representations can lead to intense debates, for instance in case of the TV-show The Tudors. Detailed studies of how audiences appropriate the narratives complement a thorough analysis of each text. In this manner, the monograph examines how different sense-resources are shaped into histories in various new subgenres and how the audiences, too, actively compare these histories. All of this takes place within an increasingly diverse historical culture. Simple notions of history as a top-down process are refuted as the role of the consumers and the use which they make of the individual histories is highlighted.

While much attention has been devoted to performances of Shakespeare's plays today, little has been focused on modern productions of the plays of his contemporaries, such as Marlowe, Webster and Jonson. Performing Early Modern Drama Today offers an overview of early modern performance, featuring chapters by academics, teachers and practitioners, incorporating a variety of approaches. The book examines modern performances in both Britain and America and includes interviews with influential directors, close analysis of particular stage and screen adaptations and detailed appendices of professional and amateur productions. Chapters examine intellectual and practical opportunities to analyse what is at stake when the plays of Shakespeare's contemporaries are performed by ours. Whether experimenting with original performance practices or contemporary theatrical and cinematic ones, productions of early modern drama offer an inspiring, sometimes unusual, always interesting perspective on the plays they interpret for modern audiences.

Remembering Wolsey seeks to contribute to our understanding of historical memory and memorialization by examining in detail the commemoration and representation of the life of Thomas Wolsey, the sixteenth-century cardinal, papal legate, and lord chancellor of England. Hornbeck surveys a wide range of representations of Cardinal Wolsey, from those contemporary with his death to recent mass-market appearances on television and historical fiction, to go beyond previous scholarship that has examined Wolsey only in an early modern context. Remembering Wolsey contributes significantly to the ongoing reimagining of English church history in the years prior to the Reformation. Surveying chronicle accounts, pamphlets, plays, poems, historical fictions, works of historical scholarship, civic pageants and monuments, films, and television programs, the book shows how an extended sequence of authors have told widely varying stories about Wolsey’s life, often through the lens of their own religious and ideological commitments and/or in response to the pressing concerns of their times.