(Applause Books). The Film Scripts Series is a new printing of some of the greatest screenplays ever written. Each of the four volumes in the series edited by George P. Garrett, O. B. Hardison, Jr., and Jane R. Gelfman contains three classic shooting scripts written by some of the finest writers to ever work in Hollywood. Every volume also features a highly informative introduction, a glossary of technical terms, an extensive bibliography, and the credits for each film. These enduring screenplays will be of great interest to the general film buff, the aspiring screenwriter, and the professional filmmaker. Of particular value to the screenwriter and filmmaker is the fact that all scripts are printed in standard screenplay format. Film Scripts Three features: The Apartment (1960, United Artists): Script by Billy Wilder and I. A. L. Diamond; Directed by Billy Wilder; Starring Jack Lemmon, Shirley MacLaine, Fred MacMurray, Ray Walston, and Jack Kruschen; Academy Awards for best picture, best director, and best screenplay; Academy Award nominations for Jack Lemmon, Shirley MacLaine, and Jack Kruschen. The Misfits (1961, United Artists / Seven Arts): Script by Arthur Miller; Directed by John Huston; Starring Clark Gable, Marilyn Monroe, Montgomery Clift, Eli Wallach, and Thelma Ritter. Charade (1963, Universal): Script by Peter Stone; Directed by Stanley Donen; Starring Cary Grant, Audrey Hepburn, Walter Matthau, James Coburn, and George Kennedy.

These scripts from 1964-65 movies are presented to aid in understanding filmmaking. The reader/viewer can study the script and "finished" images to compare film script with movie productions.

Script Readers play a crucial role in the film industry, often responsible for determining whether a script is even looked at by a producer or development executive; yet those accountable for reading can be on the first rung of the industry ladder and have had little or no training for the task. This user-friendly 'how-to' guide written by one of the UK's leading script analysis specialists, lays bare the process of analysing film scripts. This is invaluable to anyone looking to work as a script reader, anyone who wants to work in development with writers, and for screenwriters themselves who are seeking guidance on how the industry might respond to their work. An essential reference tool, the book includes information on: - How to write a brilliant script report - Storytelling and screen genres - Treatments and other short documents - Writing clear and detailed analysis of the craft of storytelling for film - Best practice in reading and reporting on scriptsIt also includes a full Resource Section listing useful print and online publications, organisations and associations. 'It is such a worthwhile read' - Lucy V Hay - bang2write 'Lucy Scher seeks to explain the skills needed to take on the vital role of script reader in the film industry' - Kamera Film Salon 'An ideal reference tool for anyone considering a career as a script reader or in film development' - Moviescope

Kooperman's "Writing Short Film Scripts" is an invaluable practical resources for teachers and students of media, film studies, screenwriting, drama, and English.

Full shooting scripts with commentary from creator Julian Fellowes highlighting key historical and dramatic details. Includes previously unseen material. The most successful British television drama of our time, the multi-award-winning Downton Abbey has become a national phenomenon in the U.S. as well. Created by Julian Fellowes—who received an Academy Award for his screenplay for the acclaimed Robert Altman motion picture, Gosford Park—Downton Abbey features stellar performances, ravishing sets and costumes, and, most importantly, absolutely riveting plots. Now the scripts for the entire first season have been collected in one volume, along with never before seen material, incisive commentary, and color photos that will completely immerse fans in the world of Downton Abbey. Praise for Downton Abbey “A deft balance of emotion, suspense and comedy.” —Daily Telegraph “The sets and costumes are ravishing, the attention to detail painstaking and the performances are brilliant. But above all, it’s a cracking story.” —The Times (London)\ “There is no mystery about the potency of this series, slathered in wit, powered by storytelling of a high order.” —The Wall Street Journal “A sumptuous, accomplished piece of television.” —The Guardian (UK)