From classic Star Wars and Blade Runner all the way back to The Day the Earth Stood Still sf movie posters have flickered across our consciousness since the early 50s. This new book features a quirky selection of what we think are the best. You won't agree, but you'll enjoy the ride!

Large, full-color posters for 46 films including King Kong, Godzilla, The Illustrated Man, and more. A bug-eyed bonanza of heroes, heroines, monsters, and assorted other creatures.

This is a sequel to Horror Movie Posters. Because the earlier volume focused solely on the horror genre, this volume has a greater emphasis on fantasy and science fiction. Because the classic films of the 1930s and 1940s were extensively covered in the previous volume, this volume focuses more on the years after 1950. The posters are in chronological order to better show the evolution of the genres, with the exception of the Star Wars and Star Trek films, which are grouped together within each series.

One of the world’s premier collections of horror and sci-fi movie posters amassed, not altogether surprisingly, by the dark mind of Metallica’s lead guitarist, Kirk Hammett. Before Kirk Hammett assumed the heavy metal mantle of one of the most successful and beloved bands in rock history, he was a geek for the imaginative universe of horror. This generously illustrated book highlights the finest examples from Hammett’s personal collection—an astonishing trove of horror and sci-fi film posters that span the history of the genre. The guitarist credits his musical force to a lifelong fascination with the gothic fantasy developed in these films and their original posters. In this volume, several intriguing essays cover the history of the film poster, the brain’s response to fear, and Hammett’s own contributions to the world of the macabre.

Science Fiction Film develops a historical and cultural approach to the genre that moves beyond close readings of iconography and formal conventions. It explores how this increasingly influential genre has been constructed from disparate elements into a hybrid genre. Science Fiction Film goes beyond a textual exploration of these films to place them within a larger network of influences that includes studio politics and promotional discourses. The book also challenges the perceived limits of the genre - it includes a wide range of films, from canonical SF, such as Le voyage dans la lune, Star Wars and Blade Runner, to films that stretch and reshape the definition of the genre. This expansion of generic focus offers an innovative approach for students and fans of science fiction alike.