"Film Appreciation on Cinemas (1990 to 2000) of Jahnu Barua: Women, Children, Political and Psychological Perspectives" is the second book in a trilogy on the works of the acclaimed Assamese filmmaker Jahnu Barua. Written by Dr. Juhi P. Pathak and published by Redshine Publication, the research project delves into the analysis and appreciation of four of Jahnu Barua's films released during the decade of 1990-2000, including "Firingoti," "Hkhagoroloi Bohu Door," "Kuhkhal," and "Pokhi."

The book is a detailed and wonderful study on the Offbeat cinema in India. The author through the title says that the offbeat genre, more than the mainstream, truly reflects the conscience of the Indian people.

A boy who can recall his past life. A hint of hidden treasure. An adventure in the desert of Rajasthan . . . In one of their most hair-raising escapades ever, Feluda and Topshe set out for Rajasthan on the trail of the parapsychologist Dr Hajra and Mukul, a boy who claims he remembers his previous life. On the way they meet Jatayu, an author of popular crime thrillers, who decides to accompany them. After numerous adventures, including an impromptu camel ride across the desert, they reach Mukul’s Golden Fortress, where Feluda unravels the many strands of a complex case.

Most studies on Indian cinema focus on Bollywood, largely ignoring regional cinema in India which has a long tradition; Assamese cinema, for example, dates to 1935. Exploring the inception of Assamese cinema in the context of Assam's history and culture and its progress up to present times, this book brings to light the doyens of Assamese literature like Lakshminath Bezbarua (1868-1938) and journals such as Orunodoi who/which tried, for the first time, to give the Assamese people a sense of identity. Including rare photographs, newspaper articles, and interviews, the work takes into its purview the political history of the region and the socio-cultural milieu within which the first Assamese film Joymoti was made, providing interesting insights into the thought and philosophy of Jyotiprasad Aggarwala (1903-1951), the pioneer of Assamese cinema.