Greg Rappleye’s Figured Dark is a collection of contemporary lyric and narrative poems, set in an American landscape, which takes as its implicit theme the journey of the soul from darkness into light. The voices in the collection call across a vast landscape of myth, memory, and horrific wreckage. In the title poem, speaking of the phenomenon of fireflies rising at night from a southern field, he writes, “I could read this down to a million tiny bodies, / blazing the midnight trees,” but the reader is left to wonder whether any extravagant numbering can account for the massed starlings, dreamy raptors, dome-lighted Firebirds, flaming bodies, junk cars, and deadly archangels that come to ground in Rappleye’s world, where the spiritual exhaustion of Odysseus is visited upon Brian Wilson, and the young John Berryman seeks recompense from a wily family in northern Michigan. These poems are by turns wise, elegiac, ironic, and wickedly funny. This is a poet who refuses easy categories. If these poems are anything, they are affidavits of a heart at work, building out of darkness a kind of wild redemption, hard-earned in the real world. Figured Dark is part of the University of Arkansas’s Poetry Series, edited by Enid Shomer.

“Fans of the crime caper will rejoice” that Linwood Barclay is back with the hilarious follow-up to his “riotously funny and irreverent” debut, in which paranoid pop Zack Walker plotted to transplant his city-savvy wife and two teenage kids to the tranquillity of the burbs–where planned communities prevail and fathers rest easy. Well, not quite…and now the Walkers have moved home only to find themselves living in the precarious crosshairs of urban sprawl once again, and Zack can’t help but be worried–really worried–that just around the corner lurks the presence of some really bad guys. Zack is back, and much to his family’s relief, the work-at-home science-fiction writer has left the house to take a job as a features writer for the city paper. But now that Zack’s incessant plotting can no longer be hatched from the comforts of his own home, he must be ever more vigilant to outwit the evil at large, whether in the suburbs, the city, or his own imagination. Zack is ready…or so he thinks. While researching his first feature article, Zack stumbles upon a real-life crime scene, but what seems like an ordinary hit-and-run may actually be a homicide linked to a gang that’s been burglarizing Crandall’s high-end shops. Suddenly Zack finds himself at the center of a violent crime wave and destined for a confrontation with Barbie Bullock, an unsettling figure infamous in the crime syndicate for his ruthless business tactics and peculiar proclivity for collecting dolls. And all is not quiet on the home front either. Zack’s protective instincts launch into overdrive when he discovers that his daughter’s rejected suitor has been tracing her every step and may harbor a much more ominous motivation than winning a Saturday night date. Nor does his son’s strange behavior and recent friendship with a creepy computer recluse inspire joy in a father’s heart. As worlds begin to collide and boundaries between family and foe blur, Zack goes on the attack, and heaven help the bad guys when this resourceful father comes to make good on a deal gone bad.

December, 1377. A great frost has London in its icy grip; even the Thames is frozen bank to bank. The Constable of the Tower of London, Sir Ralph Witton, is found murdered in a cold, bleak chamber in the North Bastion. The door is still locked from the inside and guarded by trusted retainers. So how did the assassins slip across a frozen moat to climb the sheer wall to commit such a dreadful crime? Appointed to investigate, Brother Athelstan and Sir John Cranston soon discover that Sir Ralph’s murder is only the first in a series of macabre killings which have their roots in a terrible act of betrayal committed many years previously.