When African slaves were brought to the American South to work the plantations, they brought with them their culture, traditions, and religion--including what came to be called voodoo. This unique blend of Christianity, herbalism, and folk magic is still practiced in South Carolina's Lowcountry. Though a beginners guide, Lowcountry Voodoo offers a surprising wealth of information about this fascinating part of Lowcountry life. Learn about: the Gullah and their ways how to bring good luck and avoid bad luck spells and curses and how to avoid them how to cook up traditional good-luck meals for New Years Day a real voodoo village you can visit sweetgrass baskets events and tours to acquaint you with Lowcountry culture. In a selection of Lowcountry tales that feature voodoo, meet: a boo hag bride who sheds her skin at night Dr. Buzzard, the most famous root doctor a giant ghost dog a young man whose love potion worked too well George Powell, who outwitted a haint Crook-Neck Dick, who (mostly) outwitted a hangman Doctor Trott, who captured a mermaid.

Ed McTeer's mother, Florence Percy Heyward, was a direct descendant of Thomas Heyward, Jr., a signer of the Declaration of Independence. Their ancestors came to America with King's grants to large tracts of land and were among the largest rice planters in the South. The McAteers settled in Hampton and Colleton counties in the 17th Century and acquired many land holdings. The Author's great-grandparents' wills show that the "A" was dropped from their name prior to the Civil War. Given a leave of absence by Governor Thomas G. McLeod during World War Two, McTeer was appointed Commanding Officer of the U.S. Coast Guard mounted beach patrol for the Sixth Naval District. An avid hunter, fisherman, writer, poet, developer and entrepreneur, Ed McTeer was honored shortly before his death in 1979 by having a bridge across the Beaufort River named for him. The bridge stands as a symbol of the love he felt for these beautiful Sea Islands where he spend his life.

James Edwin McTeer 1903-1979 Born in Hardeeville, South Carolina, Ed McTeer was appointed sheriff of Beaufort County, South Carolina on February 11, 1926 when his father died, leaving an unexpired term in office. The next year he married Jane Lucille Lupo, a young school teacher from Dillon County, South Carolina. They had five children, Jane, Georgianna, Sally, Ed, Jr., and Thomas. Ed McTeer went on to serve an unprecedented thirty-seven years as "High Sheriff of the Low Country."

When African slaves were brought to the American South to work the plantations, they brought with them their culture, traditions, and religion—including what came to be called voodoo. This unique blend of Christianity, herbalism, and folk magic is still practiced in South Carolina's Lowcountry. Though a beginners guide, Lowcountry Voodoo offers a surprising wealth of information about this fascinating part of Lowcountry life. Learn about: the Gullah and their ways how to bring good luck and avoid bad luck spells and curses and how to avoid them how to cook up traditional good-luck meals for New Years Day a real voodoo village you can visit sweetgrass baskets events and tours to acquaint you with Lowcountry culture. In a selection of Lowcountry tales that feature voodoo, meet: a boo hag bride who sheds her skin at night Dr. Buzzard, the most famous root doctor a giant ghost dog a young man whose love potion worked too well George Powell, who outwitted a haint Crook-Neck Dick, who (mostly) outwitted a hangman Doctor Trott, who captured a mermaid.

Ed McTeer was the sheriff of island-bound Beaufort County, South Carolina, for 36 years. The Boy Sheriff was only twenty-two years old when he was appointed to finish his dead fathers term in 1926; he held the office until being voted out in 1962. During that time, McTeer dealt with syndicate rum-runners, voodoo-inspired murderers, mannered Southern politicians, civil rights pioneers, and local root doctorsand in doing so became more than an ordinary lawman. After an epic battle with the locally infamous Dr. Buzzard, McTeer, a white man, claimed he was the last remaining tie to the true African Witchcraft. Using his own brand of voodoo to help govern the largely African American county, McTeer never had to carry a gun during his long tenure. After losing office, he became a full-time practitioner of the dark arts, revered by the community at large. Collector of curios, historian, poet, raconteur, and voodoo doctor, McTeer was most assuredly a man of his times and an American original. In Coffin Point, Baynard Woods mixes stories and first-hand accounts from McTeers friends, enemies, and family with archival research and critical readings of McTeers own books in order to conjure the charismatic sheriff and the bygone world he inhabited. The enthralling, sweeping story reads like an episodic novel, shedding new light on the relationship between power and belief, and demolishing the beleaguered stereotype of the rural Southern lawman.

From black sorcerers' client-based practices in the antebellum South to the postmodern revival of hoodoo and its tandem spiritual supply stores, the supernatural has long been a key component of the African American experience. What began as a mixture of African, European, and Native American influences within slave communities finds expression today in a multimillion dollar business. In Conjure in African American Society, Jeffrey E. Anderson unfolds a fascinating story as he traces the origins and evolution of conjuring practices across the centuries. Though some may see the study of conjure as a perpetuation of old stereotypes that depict blacks as bound to superstition, the truth, Anderson reveals, is far more complex. Drawing on folklore, fiction and nonfiction, music, art, and interviews, he explores various portrayals of the conjurer -- backward buffoon, rebel against authority, and symbol of racial pride. He also examines the actual work performed by conjurers, including the use of pharmacologically active herbs to treat illness, psychology to ease mental ailments, fear to bring about the death of enemies and acquittals at trials, and advice to encourage clients to succeed on their own. By critically examining the many influences that have shaped conjure over time, Anderson effectively redefines magic as a cultural power, one that has profoundly touched the arts, black Christianity, and American society overall.