In more than nine decades of Girl Scouting, a vast popular and material culture has given rise to a wealth of Girl Scout history collections. More than an identification guide to uniforms, insignia, and other Girl Scout objects, this work also documents when changes occurred and why new items were introduced. Placing these objects in context, this essential guide provides a discerning look at the history and development of the Girl Scout Movement in the United States. Scholars and aficionados of Girl Scout history, costume history, women's studies, popular culture, and dress will welcome this indispensable and definitive resource. This new, expanded edition, with hundreds of illustrations, photographs, and tables, is indisputably the go-to source for information on all Girl Scout uniforms, insignia, awards, and handbooks, as well as dolls, postcards, posters, calendars, and more--from the founding of the Girl Scouts in 1912 through the present day. "An invaluable resource to Girl Scout councils managing a history collection. And, beyond that . . . an informative and intriguing glimpse . . . into the evolution of a Movement that . . . today is the world's preeminent organization dedicated solely to girls." --Cynthia B. Thompson, chair, National Board of Directors, and Kathy Cloninger, national chief executive officer, GSUSA "An indispensable reference for collectors; a fascinating resource for anyone interested in Girl Scouting, this comprehensive guide to Girl Scout memorabilia is firmly grounded in the history of the Girl Scouts of the United States. Mary Degenhardt and Judith Kirsch show us what Girl Scouts wore and read, and explain how changes in uniforms, insignia, and publications reflect the evolution of Girl Scout programs and the expansion of opportunities for American girls. Reading this book is like walking through a fine museum where material culture brings the past to life." --Anastatia Sims, author of Negotiating Boundaries of Southern Womanhood

At the beginning of the 19th century, physicians teaching anatomy in New England medical schools expected students to have hands-on experience with cadavers. As the only bodies that could be dissected legally were convicted murderers, this led to a lack of sufficient bodies for study. These doctors and their students turned to removing the dead from graveyards and cemeteries for dissection. The first medical school in Washington, D.C. was founded in 1825, headed by a Massachusetts physician convicted of body snatching, and made the practice commonplace in the area. This history of body snatching in the 19th century focuses on medical schools in New England and Washington, D.C., along with the religious, moral, and social objections during the time. With research from contemporary newspapers, medical articles, and university archives, topics such as state anatomy laws and their effects on doctors, students, and the poor--who were the usual victims--are covered, as are perceptions of physicians and medical schools by the local communities.

Lawrence Police Department: Heroes Wear Blue pictorially chronicles the history of the department from its inception through its first century to the present day. A compelling visual tour, not only for police and local historians, this collection offers a glimpse of society and how it has changed. Featuring the first known police officer in Lawrence, Massachusetts, as well as the Lawrence police officers who served in the Civil War in uniform, this volume also provides a rare glimpse of vintage police equipment that is now unlawful to use.

South Amboy, a celebration of the people and places of this key Central New Jersey community, is a fascinating look back in time at the city's early days. Through a variety of vintage images combined with insightful text, travel to the waterfront, railroad, and bustling business district of South Amboy's past. As 1998 marks the 200th anniversary of the city's organization, weeping revitalization and development are under way, and it is an ideal time to reflect upon South Amboy's beginnings. Included in South Amboy are photographs of the old city hall, prominent local businesses, long forgotten schools, and an earlier and very different Broadway. South Amboy has always been a transportation hub, from a stop in revolutionary days on the route from New York to Philadelphia, to its current role of shuttling commuters throughout the area. Life in South Amboy is shown in all aspects, from social to civic activities, from the taverns to the firehouses, and from houses of worship to the city's hospital. The historic images featured, most of which have never been published, are largely from the private collections of South Amboy residents.

When women are erased from history, what are we left with? Between 1912 and 1922, Ireland experienced sweeping social and political change, including the Easter Rising, World War I, the Irish Civil War, the fight for Irish women's suffrage, the founding of the Abbey Theatre, and the passage of the Home Rule Bill. In preparation for the centennial of this epic decade, the Irish government formed a group of experts to oversee the ways in which the country would remember this monumental time. Unfortunately, the group was formed with no attempt at gender balance. Women and the Decade of Commemorations, edited by Oona Frawley, highlights not only the responsibilities of Irish women, past and present, but it also privileges women's scholarship in an attempt to redress what has been a long-standing imbalance. For example, contributors note the role of the Waking the Feminists movement, which was ignited when, in 2016, the Abbey Theater released its male-dominated centenary program. They also discuss the importance of addressing missing history and curating memory to correct the historical record when it comes to remembering revolution. Together, the essays in Women and the Decade of Commemorations consider the impact of women's unseen, unsung work, which has been critically important in shaping Ireland, a country that continues to struggle with honoring the full role of women today.

Painting Antiquity explores the archaeological dimension of the works of these three artists: in doing so, it addresses how the aesthetic engagement these artists had with ancient objects represented a unique and important development in the cultural reception of the past.