DigiCat Publishing presents to you this special edition of "Fiesco; or, the Genoese Conspiracy" (A Tragedy) by Friedrich Schiller. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Fiesco (full title - Die Verschw�rung des Fiesco zu Genua, or Fiesco's Conspiracy at Genoa) is the second full length drama written by the German playwright Friedrich Schiller. It is a republican tragedy based on the historical conspiracy of Giovanni Luigi Fieschi against Andrea Doria in Genoa in 1547. Schiller began it after the 1782 premiere of his first play, The Robbers, and dedicated it to his teacher Jakob Friedrich von Abel. It has 75 scenes, which is more than Goethe's highly popular G�tz von Berlichingen. It premiered in Bonn in 1783 at the Hoftheater. The play was the basis for the 1921 German silent film The Conspiracy in Genoa directed by Paul Leni.

Within two years of the success of his first play Die Räuber on the German stage in 1781, Schiller wrote a drama based on a rebellion in sixteenth century Italy, its title: The Conspiracy of Fiesco at Genoa. A Republican Tragedy. At the head of the conspiracy stood Gian Luigi de’ Fieschi (1524-1547), Schiller’s Count Fiesco, a clever, courageous and charismatic figure, an epicurean and unhesitant egoist, politically ambitious, but unsure of his aims and principles. He is one of Schiller’s mysterious, protean characters who secures both our admiration and disgust. With Fiesco as tragic hero Schiller examines the complex entanglement of morality and politics in his own times that was to preoccupy him throughout his career. The play was a moderate success when performed in Mannheim in 1784; it was more popular in Berlin where, during Schiller’s lifetime, it was performed many times in a version by Carl Plümicke, which however radically altered the play’s meaning. There have been some noteworthy productions on the German stage and television, even if it has remained somewhat in the shadow of Schiller’ other works. In the English-speaking world it is all but unknown and very seldom performed. This translation aims to remedy that oversight.

Reproduction of the original.

"[...]"This, thy Fiesco"-ah, could you but share my feelings!-"will free Genoa from its tyrants!" ARABELLA (astonished). And could this dream haunt a woman's mind even at the nuptial shrine? LEONORA. Yes, my Arabella, -well mayest thou be astonished-to the bride it came, even in the joy of the bridal hour (more animated). I am a woman, but I feel the nobleness of my blood. I cannot bear to see these proud Dorias thus overtop our family. The good old Andreas-it is a pleasure to esteem him. He may indeed, unenvied, bear the ducal dignity; but Gianettino is his nephew-his heir-and Gianettino has a proud and wicked heart. Genoa trembles before him, and Fiesco (much affected)- Fiesco-weep with me, damsels!-loves his sister. ARABELLA. Alas, my wretched mistress! LEONORA. Go now, and see this demi-god of the Genoese-amid the[...]."

This play by noted German author Friedrich von Schiller tells the story of the conspiracy of Genoese nobles against the Doge (chief magistrate) of the city in 1547. The play explores themes of power, betrayal, and personal ambition. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.