A gorgeous selection of the humane and moving poetry of David Young, a celebrated poet of the midwestern landscape and the people who live in it, with an expanded section featuring sixteen new poems exclusive to the paperback edition. A newly expanded career-spanning volume from one of our most valuable living American poets, offering poems that display an exquisite ear tuned to the natural world, to love and friendship, and to the continually renewable possibilities of language, and new poems that reflect a continued artistic interest in these subjects. Young’s settings are at once local and universal—an adolescence in Omaha, late summer on Lake Erie, a sleepless night in the backyard during a meteor shower. He moves with dazzling ease between culture and nature, between the literary and the philosophical, microcosm and macrocosm. Here are poems on Osip Mandelstam and Chairman Mao, the meaning of boxcars on the track, the beautiful names of the months, and a fox at the field’s edge, charged in each case by Young’s fierce intelligence and candor in the face of grief and loss. “We float through space. Days pass,” Young writes in “The Portable Earth-Lamp.” “Sometimes we know we are part of a crystal / where light is sorted and stored.” His metaphysical reach, balancing remarkable humility with penetrating vision, is one of the great gifts of this exemplary career in poetry.

"In [Black Lab], Young's tenth [book], he's clearly at the top of his game."-The Plain Dealer (Cleveland) --

Children are intrigued by switches that power a light source and by items that reflect light and sparkle, and they take notice of personal shadows cast on the playground. An understanding of light and shadow is crucial to many STEM fields, including astronomy, biology, engineering, architecture, and more. This book shows teachers how to engage children (ages 3-8 ) with light and shadow in a playful way, building an early foundation for the later, more complex study of this phenomena and, ultimately, for children's interest in professions within the STEM fields. The text offers guidance for arranging the physical environment of classrooms, integrating literacy learning and investigations, and building partnerships with administrators. Each volume in the STEM for Our Youngest Learners Series includes examples of educators and children engaging in inquiry learning, guidance for selecting materials and arranging the learning environment, modifications and accommodations for diverse learners, support for establishing adult learning communities, and more.

Internationally-acclaimed artist Bruce Munro premiers his largest artwork to date-an enormous multi-acre walk-through installation-at Sensorio in Paso Robles, California. Bruce Munro: Field of Light at Sensorio uses an array of over 58,000 stemmed spheres lit by fiber-optics, gently illuminating the landscape in subtle blooms of morphing color that describe the undulating landscape.Powered by solar, the stunning exhibition will captivate visitors, inviting them to engage with the landscape and environment through an ethereal light-based and sculptural experience.

Employing survey archaeology, excavation, ethnographic study, and multinational archival work, the Shala Valley Project uncovered the many powerful, creative ways whereby the men and women of Shala shaped their world: through dynamic, world-systemic relationships with the powers that surrounded but never fully conquered them. The Shala Valley Project presents the highlanders, the malesore, in the full complexity of their lives, while also unveiling a new, deeper history for the region--a history that reaches back to an unexpected fortified Iron Age site. Light and Shadow tells many stories. Archaeologists, historians, and students of tribes, of empires, of imperial-indigenous relations, of blood feud, of kinship, of the built landscape, of world-systems theory and sustainability science, and more, will find much here to digest. The people of Shala, to which Light and Shadow is dedicated, may serve as an example in our modern age, one in which persistent, tribal peoples still fight for their survival, and seek to preserve some degree of independence from capitalist economies bent on their incorporation.

Despite a glut of black and white filters, the digital revolution in videography has all but abandoned the art, science, beauty, and power of cinematic lighting that literally illuminated the Golden Age of motion pictures. Film Noir Light and Shadow explores an era before CGI – a time when every photon mattered and the lighting of a set served a grander purpose than simply rendering its subjects visible. Edited by Alain Silver and James Ursini, the duo behind numerous critically acclaimed studies of other aspects of noir, this anthology presents a series of essays that examine the visual style of the filmmakers of cinema's classic period. Some focus on individual pictures or directors; others discuss elements of style or sub-groups of movies within the movement. All are sharply focused on what makes the noir phenomenon unique in American – and global – cinematic history. Aside from highlighting the innovative work of its editors and their late colleague Robert Porfirio, Film Noir Light and Shadow also shares its light with a bevy of contributors who have written and edited their own books on the subject – a list of luminaries that includes Sheri Chinen Biesen, Shannon Clute and Richard Edwards, Julie Grossman, Delphine Letort, Robert Miklitsch, R. Barton Palmer, Homer Pettey, Marlisa Santos, Imogen Sara Smith, and Tony Williams. As befits the topic, this volume is lavishly illustrated with 500 images that capture the richness and breadth of the classic period's imagery, making it an ideal companion for students of the genre, film historians, sprocket fiends, and the retrospectively inclined.

2003 Paul Bunge Prize of the Hans R. Jenemann Foundation for the History of Scientific Instruments Judging the brightness and color of light has long been contentious. Alternately described as impossible and routine, it was beset by problems both technical and social. How trustworthy could such measurements be? Was the best standard of inten