Cello fiddle duets that celebrate the great outdoors are here! Raise your spirits as your fingers nimbly climb around the fingerboard in this exuberant collection of cello folk duets inspired by nature. From beloved tunes like Waltzing Matilda to traditional bluegrass favorites like Shady Grove, this book of duos for two cellos will take you on a journey through the mountains, roads, and groves that have inspired folk tunes through time. Are you looking for music to perform? Perfect for lessons, gigs, performances, and chamber music parties, this book will bring joy to players and audiences alike. Have you finished Flying Fiddle Duets for Two Cellos, Book Two? This book was written to follow the Flying Fiddle series. These duets use first through fourth position and are set at an intermediate level. Fiddles on the Mountain for Two Violins, Fiddles on the Mountain for Two Violas, and Fiddles on the Mountain for Two Cellos are compatible: the parts in these books can also be played as duets with any combination of violin, viola, and cello.

Violin fiddle duets that celebrate the great outdoors are here! Raise your spirits as your fingers nimbly climb around the fingerboard in this exuberant collection of violin folk duets inspired by nature. From beloved tunes like Waltzing Matilda to traditional bluegrass favorites like Shady Grove, this book of duos for two violins will take you on a journey through the mountains, roads, and groves that have inspired folk tunes through time. Are you looking for music to perform? Perfect for lessons, gigs, performances, and chamber music parties, this book will bring joy to players and audiences alike. Have you finished Flying Fiddle Duets for Two Violins, Book Two? This book was written to follow the Flying Fiddle series. These duets use first and third position and are set at an intermediate level. Fiddles on the Mountain for Two Violins, Fiddles on the Mountain for Two Violas, and Fiddles on the Mountain for Two Cellos are compatible: the parts in these books can also be played as duets with any combination of violin, viola, and cello.

Are you ready for a new collection of energetic, catchy fiddle tunes? The Blackberry Blossom Fiddle Book for Cello is here! This book has tunes and harmonies you will hum through the rest of the day and can give you a new reason to get excited about playing the cello! Perfect for in-person and remote private (or group) lessons, string ensembles of any combination, or impromptu chamber music parties, this book (along with the violin, viola, bass, and optional piano books) gives you eleven "mix-and-match" fiddle arrangements to play, along with short preparatory warm-up exercises. Each tune has four options so musicians at different levels can play together: an Advanced Melody, a Stress-Free Melody, a Basic Harmony, and a Teacher Harmony. You can warm up with the exercises, try the Stress-Free Melody, and then work towards the Advanced Melody. The Blackberry Blossom Fiddle Book for Cello can be played in a group or group class with the violin, viola, bass, and piano books; all of the tunes can be learned and played together as duets, trios, or in groups of any size. This cello fiddle book is entirely in first position, in the keys of D and G and will get your toes tapping and your fingers fiddling!

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.

Written to follow Learning the Cello, this book combines fun songs and easy exercises to help the beginning cello student play as much as possible. Cello Book One is an excellent companion to Knowing the Notes for Cello and The First Summer Study Book for Cello. Teachers can use this book as a method or as a supplemental study book for their beginning students who know a few notes but need more work on note-reading. Ce livre combine chansons amusantes et des exercices simples pour aider l'étudiant débutant jeu violoncelle autant que possible. "Cello Book One" est un excellent compagnon pour «Knowing the Notes for Cello". Les enseignants peuvent utiliser ce livre comme une méthode ou comme un livre d'étude supplémentaire pour leurs élèves débutants qui connaissent quelques notes, mais nécessite plus de travail sur la note de lecture. Este libro combina canciones divertidas y ejercicios sencillos para ayudar al estudiante violonchelo principio el juego tanto como sea posible. "Cello Book One" es un excelente compañero para "Knowing the Notes for Cello". Los profesores pueden utilizar este libro como un método o como un libro de estudio suplementario para sus estudiantes principiantes que saben unas pocas notas, pero necesita más trabajo en la nota de la lectura. Dieses Buch verbindet Spaß Lieder und einfache Übungen, um den Beginn cello student Spiel so viel wie möglich zu helfen. "Cello Book One" ist eine hervorragende Ergänzung zu "Knowing the Notes for Cello". Lehrer können dieses Buch als eine Methode oder als ergänzende Studie Buch für ihre Beginn Studenten, die sich ein paar Notizen wissen, brauchen aber mehr Arbeit auf Notenlesen zu verwenden.

An anthology of articles on the evolution of minimal music in New York in 1972-1982, which originally appeared in the Village Voice (New York).