This book explores the reciprocal influence of friendship ideals and narrative forms in eighteenth-century British fiction. It examines how various novelists, from Samuel Richardson to Mary Shelley, drew upon classical and early modern conceptions of true amity as a model of collaborative pedagogy. Analyzing authors, their professional circumstances, and their audiences, the study shows how the rhetoric of friendship became a means of paying deference to the increasing power of readerships, while it also served as a semi-covert means to persuade resistant readers and confront aesthetic and moral debates head on. The study contributes to an understanding of gender roles in the early history of the novel by disclosing the constant interplay between male and female models of amity. It demonstrates that this gendered dialogue shaped the way novelists imagined character interiority, reconciled with the commercial aspects of writing, and engaged mixed-sex audiences.

Love and Friendship is a satirical novel by Jane Austen first written in 1790. Penned when she was just 14 years old this texts includes all of Austen's original spelling quirks. Although written for the enjoyment of family and friends, her witty dialogue and characteristic sense of humour are very much present in this comical and biting satire of the romance and sensibility novels popular in her day. Jane Austen (1775 - 1817) was an English author known primarily for her novels, which critique the 18th century English upper classes and contemporary novels of sensibility. Her use of irony coupled with biting social commentary and realism have led to her wide acclaim amongst scholars and critics, her work contributing to the transition to 19th-century literary realism. Other notable works by this author include: "Sense and Sensibility" (1811), "Pride and Prejudice" (1813), and "Mansfield Park" (1814). Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this book now in an affordable, modern, high-quality edition complete with a specially-commissioned new biography of the author.

This 2001 book concerns the history of the family in eighteenth-century England. Naomi Tadmor provides an interpretation of concepts of household, family and kinship starting from her analysis of contemporary language (in the diaries of Thomas Turner; in conduct treatises by Samuel Richardson and Eliza Haywood; in three novels, Richardson's Pamela and Clarissa and Haywood's The History of Miss Betsy Thoughtless and a variety of other sources). Naomi Tadmor emphasises the importance of the household in constructing notions of the family in the eighteenth century. She uncovers a vibrant language of kinship which recasts our understanding of kinship ties in the period. She also shows how strong ties of 'friendship' formed vital social, economic and political networks among kin and non-kin. Family and Friends in Eighteenth-Century England makes a substantial contribution to eighteenth-century history, and will be of value to all historians and literary scholars of the period.

A two-volume reprint--restoring original text-- of an 18th century novel on the pitfalls of friendship. The hero, David Simple, is a man repeatedly deceived by people to whom he became attached. In the first volume he is cheated of his fortune, but regains it, in the second he loses it for good.

This adventure novel tells the tale of the Millenium Hall, the female Utopia. The people in the Hall live in a model of mid-century reform ideas. All the women have crafts with which to better themselves. Property is held in common, and education is the primary pastime. The narrator's long-lost cousin relates the series of adventures and how each of the residents arrived at this female Utopia. The adventures are remarkable for their reliance on a nearly superstitious form of divine grace, where God's will manifests itself with the direct punishment of the wicked and the miraculous protection of the innocent. In one tale, a woman about to be ravished by a man is saved, literally by the hand of God, as her attacker dies of a stroke. Millenium Hall was Sarah Scott's most significant novel. Interest in it has revived in the 21st century among feminist literary scholars.