Life Becomes Stranger than Fiction when Charlee's Latest Novel Inspires a Real Murder Mystery author Charlemagne "Charlee" Russo thinks the twisty plots and peculiar murders in her books are only the product of her imagination—until her agent is found dead exactly as described in Charlee's new, unpublished manuscript. Suspicion now swirls around her and her critique group, making her confidence drop as severely and unexpectedly as her royalty payments. The police care more about Charlee's feeble alibi and financial problems than they do her panicky claims of innocence. To clear her name and revive her career, she must figure out which of her friends is a murderer. Easier said than done, even for an author who's skilled at creating tidy endings for her mysteries. And as her sleuthing grows dangerous, Charlee's imagination starts working overtime. Is she being targeted, too? Praise: "The charming heroine and the supporting cast shine in Clark's fun and funny solo mystery debut...which doesn't take anyone too seriously in the best way possible."—Kirkus Reviews "Cozy fans should enjoy this funny and affecting view into a mystery writer's life."—Publishers Weekly "Charlee Russo is my new favorite amateur sleuth! Wickedly witty author Charlee takes us along on her wild ride to prove her innocence in the murder of her literary agent, a murder based on the plot of one of her own books! Giving readers an inside look at the writer's life, Becky Clark pens a funny, clever page turner of a mystery and I can't wait for the next one in this terrific new series!"—Jenn McKinlay, bestselling author of the Library Lover's Mysteries "Becky Clark wields a witty pen, writing about an author who is plunged into her own mystery."—Marty Wingate, author of the Potting Shed and Birds of a Feather series "Becky Clark is a hilarious new talent in mystery fiction. With a mixture of humor and plot, Fiction Can Be Murder pulls back the curtain on the creative writing process and exposes the homicidal thoughts that take place while writing a book."—Diane Vallere, national bestselling author of the Costume Shop mysteries "In Fiction Can Be Murder, Becky Clark gives us a fun and funny peek into the writers' life. Although in the case of her protagonist, the smart, likeable, and feisty Charlee Russo, that life includes the real murder of her agent. This clever mystery, first in a new series, is perfect for book lovers."—Vicki Delany, national bestselling author of the Sherlock Holmes Bookshop mysteries "Fresh, fast, and furiously fun, Fiction Can Be Murder packs one surprise after the next. Becky Clark writes with wry wit, a keen eye, and no shortage of authority on this particular subject. Charlee Russo is like a lot of authors I know—except most of them only dream of killing their agents."—Brad Parks, Shamus-, Nero-, and Lefty-award-winning author of Closer Than You Know "This killer plot will take you on the literary ride of your life. In this new series, Clark has crafted an intriguing mystery that opens the door into the crazy world of literary agents, publishers, royalties, critique groups, and murder."—Cheryl Hollon, author of the Webb's Glass Shop Mysteries "A promising series debut."—Booklist

“[A] lighthearted mystery . . . Kids who like mystery and fantasy and fans of television’s Sabrina, about a teenage witch, will like this” (Booklist). Nola’s not much of a witch—she can work only a few useless spells, like the one that lets her spy on people. But there’s no spell for keeping her crazy mother—who hears voices and is a magnet for witch-hunters—out of trouble. The two flee from town to town until the day Nola witnesses a murder. Which is bad enough, but worse is that the murderer may frame Nola and her mother for the crime. And then no amount of magic will save her. And you think your teenage years are tough . . . “Dialogue is fast and funny, the characters evincing a certain human desperation that makes them (the good guys, anyway) unfailingly sympathetic. Introduce Rowling fans to Vande Velde, and watch them make magic.” —The Bulletin of the Center for Children’s Books “Vande Velde has produced a winner in this fantasy mystery . . . [Fans] will not be disappointed in this funny and charming story, which will attract mystery and romance lovers as well.” —VOYA “Vande Velde’s offering throws murder, witchcraft, and romance into the brew . . . The well-developed characters provide entertaining reading.” —School Library Journal “Fun and suspense for readers . . . Entertaining.” —Publishers Weekly “The story moves from a witch’s tale of many spells, to a murder mystery, and finally, a love story . . . Amusing, light reading.” —Kliatt “An entertaining fantasy for any reader.” —SF Site

Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.

How can you solve a murder when the clues are so dumb? Private investigator Trike Augustine may be a brainiac with deductive skills to rival Sherlock Holmes, but they’re not doing him any good at solving the case of a missing gazzilionaire because the clues are so stupefyingly—well, stupid. Meanwhile, his sidekicks—Max the former FBI agent and Lola the artist—don’t quite rise to the level of Dr. Watson, either. For example, when a large, dead pig turns up on Trike’s floor in the middle of the night, none of them can figure out what it means. Meanwhile, the clock is ticking as the astronomical reward being offered diminishes drastically every day. That, plus the increasing reality that their own lives are in danger, lift this astonishing debut beyond its hilarious premise—a smart man befuddled by the idiotic—and turns it into something more than just a smart homage to Sherlock (with maybe a touch of early Jonathan Lethem thrown in). It becomes a compelling and compulsive thriller . . . with the added bonus that the prose is often as breathtaking as the tale.

This book opens up a range of important perspectives on law and violence by considering the ways in which their relationship is formulated in literature, television and film. Employing critical legal theory to address the relationship between crime fiction, law and justice, it considers a range of topics, including: the relationship between crime fiction, legal reasoning and critique; questions surrounding the relationship between law and justice; gender issues; the legal, political and social impacts of fictional representations of crime and justice; post-colonial perspectives on crime fiction; as well as the impact of law itself on the crime fiction’s development. Introducing a new sub-field of legal and literary research, this book will be of enormous interest to scholars in critical, cultural and socio-legal studies, as well as to others in criminology, as well as in literature.

This Companion examines the range of American crime fiction from execution sermons of the Colonial era to television programmes like The Sopranos.

This study of the technique of Agatha Christie's detective fiction--sixty-seven novels and over one hundred short stories--is the first extensive analysis of her accomplishment as a writer. Earl F. Bargannier demonstrates that Christie thoroughly understood the conventions of her genre and, with seemingly inexhaustible ingenuity, was able to develop for more than fifty years surprising variations within those conventions.