Antologi. Noveller af 23 filippinske forfattere, der bor i USA

Named one of the best books of 2018 by NPR, Real Simple, Lit Hub, The Boston Globe, San Francisco Chronicle, The New York Post, Kirkus Reviews, and The New York Public Library "A saga rich with origin myths, national and personal . . . Castillo is part of a younger generation of American writers instilling literature with a layered sense of identity." --Vogue How many lives fit in a lifetime? When Hero De Vera arrives in America--haunted by the political upheaval in the Philippines and disowned by her parents--she's already on her third. Her uncle gives her a fresh start in the Bay Area, and he doesn't ask about her past. His younger wife knows enough about the might and secrecy of the De Vera family to keep her head down. But their daughter--the first American-born daughter in the family--can't resist asking Hero about her damaged hands. An increasingly relevant story told with startling lucidity, humor, and an uncanny ear for the intimacies and shorthand of family ritual, America Is Not the Heart is a sprawling, soulful debut about three generations of women in one family struggling to balance the promise of the American dream and the unshakeable grip of history. With exuberance, grit, and sly tenderness, here is a family saga; an origin story; a romance; a narrative of two nations and the people who leave one home to grasp at another.

One of The Washington Post's 10 Best Books of the Year "A remarkable book...indispensable."--The Boston Globe "A sweeping, deeply reported tale of international migration...DeParle's understanding of migration is refreshingly clear-eyed and nuanced."--The New York Times "This is epic reporting, nonfiction on a whole other level...One of the best books on immigration written in a generation."--Matthew Desmond, author of Evicted The definitive chronicle of our new age of global migration, told through the multi-generational saga of a Filipino family, by a veteran New York Times reporter and two-time Pulitzer Prize finalist. When Jason DeParle moved into the Manila slums with Tita Comodas and her family three decades ago, he never imagined his reporting on them would span three generations and turn into the defining chronicle of a new age--the age of global migration. In a monumental book that gives new meaning to "immersion journalism," DeParle paints an intimate portrait of an unforgettable family as they endure years of sacrifice and separation, willing themselves out of shantytown poverty into a new global middle class. At the heart of the story is Tita's daughter, Rosalie. Beating the odds, she struggles through nursing school and works her way across the Middle East until a Texas hospital fulfills her dreams with a job offer in the States. Migration is changing the world--reordering politics, economics, and cultures across the globe. With nearly 45 million immigrants in the United States, few issues are as polarizing. But if the politics of immigration is broken, immigration itself--tens of millions of people gathered from every corner of the globe--remains an underappreciated American success. Expertly combining the personal and panoramic, DeParle presents a family saga and a global phenomenon. Restarting her life in Galveston, Rosalie brings her reluctant husband and three young children with whom she has rarely lived. They must learn to become a family, even as they learn a new country. Ordinary and extraordinary at once, their journey is a twenty-first-century classic, rendered in gripping detail.

Nearly one in four persons in Hawai'i is of Filipino heritage. Representing one-fifth of the state's workforce, Filipinos have been in Hawai'i for more than a century, turning the rough and raw materials of sugar and pineapple into billion-dollar commodities. This book traces a history from 1946--the last year that sakadas (plantation workers) were imported from the Philippines--to the centennial year of their settlement in Hawai'i. Filipinos are central to much that has been built and cherished in the state, including the agricultural industry, tourism, military presence, labor movements, community activism, politics, education, entertainment, and sports.

In this fine short-story collection, 29 Filipino American writers explore the universal challenges of adolescence from the unique perspectives of teens in the Philippines or in the U.S. Organized into five sections--Family, Angst, Friendship, Love, and Home--all the stories are about growing up and what the introduction calls "growing into Filipino-ness, growing with Filipinos, and growing in or growing away from the Philippines."... The stories are delightful (Booklist)

The Philippines, America's "showcase of democracy" and its only former colony in Asia, remains enigmatic to most Americans. What we know of this archipelago is very often condensed, filtered, or distorted y Western preconceptions and interpretations. Here, for the first time, are Filipino and Filipino American writers telling their lives in their own words. Here are stories of passion and betrayal, home and exile, the politics of the self and a nation in search of itself. Here are poems of such power and beauty that can rank among the best in the world. In these pages the reader will find familiar figures -- the greedy Marcoses, teenage gangs, game shows, rock star clones -- as well as characters and themes of every stripe and hue, from gay youngsters checking out surfer jocks in Hawai'i to Westernized girls coming out of convent school, from a searing recollection of gang rape to meditations on the spirit. Altogether, these works provide a deeper image of the Philippines and of Filipinos in America, as seen by some of the best writers from both sides of the world. Ultimately, it gives a unique and vivid perspective of America as well.

"A bravura performance."—The New York Times Histories and personalities collide in this literary tour-de-force about the Philippines’ present and America’s past by the PEN Open Book Award–winning author of Gun Dealers’ Daughter. Two women, a Filipino translator and an American filmmaker, go on a road trip in Duterte’s Philippines, collaborating and clashing in the writing of a film script about a massacre during the Philippine-American War. Chiara is working on a film about an incident in Balangiga, Samar, in 1901, when Filipino revolutionaries attacked an American garrison, and in retaliation American soldiers created “a howling wilderness” of the surrounding countryside. Magsalin reads Chiara’s film script and writes her own version. Insurrecto contains within its dramatic action two rival scripts from the filmmaker and the translator—one about a white photographer, the other about a Filipino schoolteacher. Within the spiraling voices and narrative layers of Insurrecto are stories of women—artists, lovers, revolutionaries, daughters—finding their way to their own truths and histories. Using interlocking voices and a kaleidoscopic structure, the novel is startlingly innovative, meditative, and playful. Insurrecto masterfully questions and twists narrative in the manner of Italo Calvino’s If on a Winter’s Night a Traveler, Julio Cortázar’s Hopscotch, and Nabokov’s Pale Fire. Apostol pushes up against the limits of fiction in order to recover the atrocity in Balangiga, and in so doing, she shows us the dark heart of an untold and forgotten war that would shape the next century of Philippine and American history.