Fiction and the Sixth Mass Extinction is one of the first works to focus specifically on fiction’s engagements with human driven extinction. Drawing together a diverse group of scholars and approaches, this volume pairs established voices in the field with emerging scholars and traditionally recognized climate fiction ('cli-fi') with texts and media typically not associated with Anthropocene fictions. The result is a volume that both engages with and furthers existing work on Anthropocene fiction as well as laying groundwork for the budding subfield of extinction fiction. This volume takes up the collective insistence on the centrality of story to extinction studies. In various and disparate ways, each chapter engages with the stories we tell about extinction, about the extinction of animal and plant life, and about the extinction of human life itself. Answering the call to action of extinction studies, these chapters explore what kinds of humanity caused this event and what kinds may live through it; what cultural assumptions and values led to this event and which ones could lead out of it; what relationships between human life and this planet allowed the sixth mass extinction and what alternative relationships could be possible.

ONE OF THE NEW YORK TIMES BOOK REVIEW'S 10 BEST BOOKS OF THE YEAR A major book about the future of the world, blending intellectual and natural history and field reporting into a powerful account of the mass extinction unfolding before our eyes Over the last half a billion years, there have been five mass extinctions, when the diversity of life on earth suddenly and dramatically contracted. Scientists around the world are currently monitoring the sixth extinction, predicted to be the most devastating extinction event since the asteroid impact that wiped out the dinosaurs. This time around, the cataclysm is us. In The Sixth Extinction, two-time winner of the National Magazine Award and New Yorker writer Elizabeth Kolbert draws on the work of scores of researchers in half a dozen disciplines, accompanying many of them into the field: geologists who study deep ocean cores, botanists who follow the tree line as it climbs up the Andes, marine biologists who dive off the Great Barrier Reef. She introduces us to a dozen species, some already gone, others facing extinction, including the Panamian golden frog, staghorn coral, the great auk, and the Sumatran rhino. Through these stories, Kolbert provides a moving account of the disappearances occurring all around us and traces the evolution of extinction as concept, from its first articulation by Georges Cuvier in revolutionary Paris up through the present day. The sixth extinction is likely to be mankind's most lasting legacy; as Kolbert observes, it compels us to rethink the fundamental question of what it means to be human.

A remote military research station in Utah sends out a frantic distress call, ending with a chilling final command: Kill us all By the time help arrives every living thing for fifty miles has been annihilated. And blight is spreading. To halt the inevitable, Commander Gray Pierce and Sigma must unravel a threat that rises out of the distant past, to a time when Antarctica was green and life on Earth balanced on a knife edge. Following clues from an ancient map rescued from the lost Library of Alexandria, Sigma will discover the truth about an ancient continent, about a new form of death buried under miles of ice, and the coming extinction of mankind.

The Sixth Extinction is a haunting account of the age in which we live. Ecologists are calling it the Sixth Great Extinction, and the world isn't losing just its ecological legacy; also vanishing is a vast human legacy of languages and our ways of living, seeing, and knowing. Terry Glavin confirms that we are in the midst of a nearly unprecedented, catastrophic vanishing of animals, plants, and human cultures. He argues that the language of environmentalism is inadequate in describing the unraveling of the vast system in which all these extinctions are actually related. And he writes that we're no longer gaining knowledge with every generation. We're losing it. In the face of what he describes as a dark and gathering sameness upon the Earth, Glavin embarks on a global journey to meet the very things we're losing (a distinct species every ten minutes, a unique vegetable variety every six hours, an entire language every two weeks) and on the way encounters some of the world's wonderful, rare things: a human-sized salmon in Russia; a mysterious Sino-Tibetan song-language; a Malayan tiger, the last of its kind; and a strange tomato that tastes just like black cherry ice cream. And he finds hope in the most unlikely places---a macaw roost in Costa Rica; a small village in Ireland; a relic community of Norse whalers in the North Atlantic; the vault beneath the Royal Botanical Garden at Kew; and the throne room of the Angh of Longwa in the eastern Himalayas. A fresh narrative take on the usual doom and gloom environmentalism, The Sixth Extinction draws upon zoology, biology, ecology, anthropology, and mythology to share the joys hidden within the long human struggle to conserve the world's living things. Here, we find hope in what's left: the absolute and stunning beauty in the Earth's last cultures and creatures.

Elaborate pop-ups feature some wonderfully creepy creatures that just might dominate the ecosystem and be essential to our planet’s survival in an eerily realistic future world. Whether or not we know it, the sixth global extinction is already under way, propelled not by a meteor but by human activity on Earth. Take a long step forward into the year 4847 with the help of stunning pop-ups portraying eight fantastical creatures, along with spreads and flaps presenting details about each one. Paper engineer Shawn Sheehy envisions the aftermath of extinction as a flourishing ecosystem centered around fictional creatures that could evolve from existing organisms. Promising high appeal for science-fiction fans of all ages — and plenty of food for discussion — this evolutionary extravaganza offers a time line of the six extinction events in Earth’s history, a “field guide” to each creature, a diagram of species relationships, a habitat map of the (imagined) ruins of Chicago, and an illuminating author’s note.

We are currently facing the sixth mass extinction of species in the history of life on Earth, biologists claim—the first one caused by humans. Heise argues that understanding these stories and symbols is indispensable for any effective advocacy on behalf of endangered species. More than that, she shows how biodiversity conservation, even and especially in its scientific and legal dimensions, is shaped by cultural assumptions about what is valuable in nature and what is not.

Richard Leakey, One Of The World's Foremost Experts On Man's Evolutionary Past, Now Turns His Eye To The Future And Doesn't Like What He Sees. To the philosophical the earth is eternal, while the human race -- presumptive keeper of the world's history -- is a mere speck in the rich stream of life. It is known that nothing upon Earth is forever; geography, climate, and plant and animal life are all subject to radical change. On five occasions in the past, catastrophic natural events have caused mass extinctions on Earth. But today humans stand alone, in dubious distinction, among Earth's species: Homo Sapiens possesses the ability to destroy entire species at will, to trigger the sixth extinction in the history of life. In The Sixth Extinction, Richard Leakey and Roger Lewin consider how the grand sprawl of human life is inexorably wreaking havoc around the world. The authors of Origins and Origins Reconsidered, unimpeachable authorities on the human fossil record, turn their attention to the most uncharted anthropological territory of all: the future, and man's role in defining it. According to Leakey and Lewin, man and his surrounding species are end products of history and chance. Now, however, humans have the unique opportunity to recognize their influence on the global ecosystem, and consciously steer the outcome in order to avoid triggering an unimaginable upheaval.