“Borges’s composed, carefully wrought, gnarled style is at once the means of his art and its object—his way of ordering and giving meaning to the bizarre and terrifying world he creates: it is a brilliant, burnished instrument, and it is quite adequate to the extreme demands his baroque imagination makes of it . . . . Absolutely and most vividly original.”—Saturday Review The seventeen pieces in Ficciones demonstrate the gargantuan powers of imagination, intelligence, and style of one of the greatest writers of this or any other century. Borges sends us on a journey into a compelling, bizarre, and profoundly resonant realm; we enter the fearful sphere of Pascal’s abyss, the surreal and literal labyrinth of books, and the iconography of eternal return. More playful and approachable than the fictions themselves are Borges’s Prologues, brief elucidations that offer the uninitiated a passageway into the whirlwind of Borges’s genius and mirror the precision and potency of his intellect and inventiveness, his piercing irony, his skepticism, and his obsession with fantasy. To enter the worlds in Ficciones is to enter the mind of Jorge Luis Borges, wherein lies Heaven, Hell, and everything in between.

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By common consent, the Argentinian Jorge Luis Borges (18990-1986) is one of the greatest writers to have emerged from Latin America. His finest work is "Ficciones" (1944), a collection of brilliantly-crafted, essay-like short stories. This edition, updated from the original 1976 edition by the same authors, offers a comprehensive selection of stories from the work with a full introduction, detailed notes, a generous vocabulary, bibliography, as well as chronological and other tables.