The oral tradition of Kentucky is one of the most rich and interesting in the nation and has attracted a number of outstanding men and women—scholars and writers, teachers and singers—who have devoted their energies to Kentucky's folk and their ways. Some have collected examples of the state's unique speech patterns and word usages. Others have recorded local place names and the legends that surround them, or the yarns and tall tales transmitted from one generation to the next. Musicians have sought the authentic mountain folk songs, both old and new, and gifted writers have woven details of their Kentucky upbringing into poems, novels, and stories. The Harvest and the Reapers illuminates the work of those who labor tirelessly to preserve Kentucky's oral history and traditions.

There was a time when rural comedians drew most of their humor from tales of farmers' daughters, hogs, hens, and hill country high jinks. Lum and Abner and Ma and Pa Kettle might not have toured happily under the "Redneck" marquee, but they were its precursors. In Ain't That a Knee-Slapper: Rural Comedy in the Twentieth Century, author Tim Hollis traces the evolution of this classic American form of humor in the mass media, beginning with the golden age of radio, when such comedians as Bob Burns, Judy Canova, and Lum and Abner kept listeners laughing. The book then moves into the motion pictures of the 1930s, 1940s, and 1950s, when the established radio stars enjoyed second careers on the silver screen and were joined by live-action renditions of the comic strip characters Li'l Abner and Snuffy Smith, along with the much-loved Ma and Pa Kettle series of films. Hollis explores such rural sitcoms as The Real McCoys in the late 1950s and from the 1960s, The Andy Griffith Show, The Beverly Hillbillies, Green Acres, Hee Haw, and many others. Along the way, readers are taken on side trips into the world of animated cartoons and television commercials that succeeded through a distinctly rural sense of fun. While rural comedy fell out of vogue and networks sacked shows in the early 1970s, the emergence of such hits as The Dukes of Hazzard brought the genre whooping back to the mainstream. Hollis concludes with a brief look at the current state of rural humor, which manifests itself in a more suburban, redneck brand of standup comedy.

“This biography will find its place among a growing literature on post-war Southern politics.” —Charles Holden, author of The New Southern University: Academic Freedom and Liberalism at UNC When W. Kerr Scott (1896–1958) began his campaign for the North Carolina gubernatorial seat in 1948, his opponents derided his candidacy as a farce. However, the plainspoken dairy farmer quickly gathered loyal supporters and mobilized a grassroots attack on the entrenched interests that had long controlled the state government, winning the race in a historic upset. In this meticulously researched book, Julian M. Pleasants traces Scott’s productive and controversial political career, from his years as North Carolina commissioner of agriculture, through his governorship (1949–1953), to his brief tenure as a U.S. senator (1954–1958). Scott was elected at a time when southern liberals were on the rise in post-World War II America. McCarthyism and civil rights agitation soon overwhelmed progressivism, but the trend lasted long enough for the straight-talking “Squire from Haw River” to enact major reforms and establish a reputation as one of the more interesting and influential southern politicians of the twentieth century. This long-overdue look at his political career illuminates the spirit that transformed an introspective, segregated society dependent on tobacco and textiles into a vibrant, diversified economy at the center of the industrial, banking, and information revolution in the South. “Pleasants writes with clarity and authority.” —Jeffrey J. Crow, Deputy Secretary, North Carolina Department of Cultural Resources (ret.)