Fetal Bait Apocalypse; 3 Collections contain all three of Joel Arnold's short story collections in one volume: Bait and Other Stories Bedtime Stories for the Apocalypse Fetal Position and Other Stories This one volume holds over 120,000 words of fiction that will haunt and terrify you for days on end. Less Fetal Bait Apocalypse; 3 Collections contain all three of Joel Arnold's short story collections in one volume: Bait and Other Stories Bedtime Stories for the Apocalypse Fetal Position and Other Stories This one volume holds over 120,000 words of fiction that will haunt and terrify you for days on end. Contains the award winning stories "Some Things Don't Wash Off" and "Mississippi Pearl" as well as stories that have seen print in such venues as Weird Tales, Gothic.Net, ChiZine, HorrorFind and Pseudopod. Six of these stories have received honorable mentions in The Years Best Fantasy & Horror. In these three collections, you'll meet: A father whose intense longing for his dead son lead to disturbing consequences. A group of college students tubing down a river through a burnt forest who encounter terrifying creatures. A man seeking redemption for a sinful past through the skill of a tattoo artist. A Cambodian-American teen who will fit in with the locals at any cost. A woman who finds a bizarre solace in a rare pearl. A self-absorbed husband monitoring the end of his existence over the internet. A teenager digging his way through a deep crust of waste and bone to win his freedom. A man whose work for the Khmer Rouge returns to haunt him. A son who has an intensely strange relationship with his mother. A student with a bizarre homework assignment. A woman who has a macabre way to deal with bill collectors. These stories and more will have you up late into the night, glancing over your shoulder and flinching at the slightest of noises. "Joel Arnold is the real deal. He elicits a subtle element of terror and justice through his writing, delivered without a heavy hand. His exceptional imagery effects readers in a way that leaves them chilled and disturbed; causing the kind of behavior that will leave friends asking "what's bothering you," for days afterwards." D.L. Russell, editor of Strange, Weird & Wonderful Magazine ”Author Arnold has a deft touch with horror that will leave a chill in your spine, but without the violence and gore of much modern horror. The stories remind me of Ray Bradbury at his darkest with their ability to play on the difference between what we know might happen and what we want to happen. These are complex tales with layers below the surface enjoyment of a story well written.” Armchair Interviews

When life gives you lemons, kill zombies - turns out lemon juice neutralizes the undead. After a failed attempt at running away, best friends Nathan and Misty return home expecting to face angry parents. Instead, they discover the military has destroyed the bridges out of their rural town and everyone's fled-except a small horde of the living dead. The stress of flesh-eating zombies may be more than their already strained relationship can handle. Even with the help of the town geek and lemonade-powered Super-Soakers, there's not enough time to squeeze their way out of this sticky mess. Unless the trio eradicates the zombie infestation, while avoiding the deadly zombie snot, the military will blow the town, and them, to pulp. Their only shot is something with a lot more punch. Something like the Super Zombie Juice Mega Bomb. But even if their friendship survives, there's another problem: Someone has to lure the undead into the trap.

It has been nearly two years since the day of the mass disappearances. In one cataclysmic instant, millions all over the globe simply vanished, leaving everything but flesh and bone behind. Global war has erupted, and the Tribulation Force sets a suicidal course that places them in direct opposition to the rise of Antichrist. A repackage of the third book in the New York Times best-selling Left Behind series.

Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.

When a killer comet hurtles for the earth, 18-year-old Joanna Murphy is selected to wait out the apocalypse in an underground bunker. She enters cryosleep with her close-knit team, preparing to resettle the planet after the atmosphere clears in two hundred years. Joanna is the only one who wakes up. Faced with a bunker full of bones and a blocked exit, Joanna must claw her way to the surface, figure out what happened to her team, and try not to panic-or die. That's going to be tricky if she's the only person left in the world. From the author of The Seabound Chronicles, Steel and Fire, and Empire of Talents comes a story of resilience and optimism at the end of the world.

The Body Is Not an Apology The Power of Radical Self-Love Against a global backdrop of war, social upheaval, and personal despair, there is a growing sense of urgency to challenge the systems of oppression that dehumanize bodies and strip us of our shared humanity. Rather than feel helpless in the face of oppression, world-renowned activist, performance poet, and author Sonya Renee Taylor teaches us how to turn to the power of radical self-love in her new book, The Body Is Not an Apology. Radical self-love is the guiding framework that transforms the learned self-hatred of our bodies and the prejudices we have about other people's bodies into a vision of compassion, equity, and justice. In a revolutionary departure from the corporate self-help and body-positivity movement, Taylor forges the inextricable bond between radical self-love and social justice. The first step is recognizing that we have all been indoctrinated into a system of body shame that profits off of our self-hatred. When we ask ourselves, "Who benefits from our collective shame?" we can begin to make the distinction between the messages we are receiving about our bodies or other bodies and the truth. This book moves us beyond our all-too-often hidden lives, where we are easily encouraged to forget that we are whole humans having whole human experiences in our bodies alongside others. Radical self-love encourages us to embark on a personal journey of transformation with thoughtful reflection on the origins of our minds and bodies as a source of strength. In doing this, we not only learn to reject negative messages about ourselves but begin to thwart the very power structures that uphold them. Systems of oppression thrive off of our inability to make peace with bodies and difference. Radical self-love not only dismantles shame and self-loathing in us but has the power to dismantle global systems of injustice-because when we make peace with our bodies, only then do we have the capacity to truly make peace with the bodies of others