The outdoor music festival market has developed and commercialised significantly since the mid-1990s, and is now a mainstream part of the British summertime leisure experience. The overall number of outdoor music festivals staged in the UK doubled between 2005 and 2011 to reach a peak of over 500 events. UK Music (2016) estimates that the sector attracts over 3.7 million attendances each year, and that music tourism as a whole sustains nearly 40,000 full-time jobs. Music Festivals in the UK is the first extended investigation into this commercialised rock and pop festival sector, and examines events of all sizes: from mega-events such as Glastonbury Festival, V Festival and the Reading and Leeds Festivals to 'boutique' events with maximum attendances as small as 250. In the past, research into festivals has typically focused either on their carnivalesque heritage or on developing managerial tools for the field of Events Management. Anderton moves beyond such perspectives to propose new ways of understanding and theorising the cultural, social and geographic importance of outdoor music festivals. He argues that changes in the sector since the mid-1990s, such as professionalisation, corporatisation, mediatisation, regulatory control, and sponsorship/branding, should not necessarily be regarded as a process of transgressive 'alternative culture' being co-opted by commercial concerns; instead, such changes represent a reconfiguration of the sector in line with changes in society, and a broadening of the forms and meanings that may be associated with outdoor music events.

Shortly after the end of World War II, Laurence Whistler set out to write 'a guide to the festivals of England as they are and as they might be': the result is a captivatingly readable and enchanting narrative, the ancient holidays revealed as a microcosm of the wheel of life in England. Christmas, New Year, Twelfth night, Easter, May Day, Whitsun, Midsummer, Harvest (and sixteen others) - these are the most ancient of our traditions, more ancient than any present-day beliefs, and strong enough to have survived even the attacks of Puritans in the seventeenth century. Here, for example, is the radiant Kissing Bough, whose candles we lit before we had ever heard of a Christmas Tree. Here is the way to colour and engrave Easter Eggs. Here are fireworks in all their extravagant variety. Or here is the history of the Valentine and the Christmas Card. Laurence Whistler has written this scholarly book with the imaginative delight of a poet. This new edition features an introduction by art historian James Russell. "His book has been written in delight and passes on delight to the reader... it has a lovely benevolence; the author's knowledge, his sense of values, his breadth of outlook are in evidence on every page." John O'London's Weekly "There is scholarship here about the past, and delight in the festivals of today... a book that will be delightful to pick up again at any time of the year." Sunday Times "Possessing enchantment of matter, it has also enchantment of manner." Time and Tide "Its younger readers will find themselves educated, perhaps unconsciously, by publisher as well as author." Observer "A charming book." Country Life "A most charming and decorative volume." Sunday Chronicle "Learning and common sense have gone to the making of this attractive, well-illustrated book." Birmingham News "A delightful gift book for all the year round... altogether charming." Edinburgh Evening News "A book very much out of the ordinary." Sphere

Основное отличие книги в том, что быт, традиции и обычаи рядовых англичан показываются без какого-либо преломления, глазами самих англичан. Она знакомит не только е календарными и семейными праздниками, популярными способами проведения досуга, но и е различными торжествами, фестивалями, происходящими в разных частях Англии в течение года.Книга может быть использована в качестве пособия по страноведению для изучающих английский язык и культуру Великобритании.

Teachers running private language school classes in the UK are conscious of the fact that the students are here to 'immerse' themselves not only in language but also British customs and traditions. Teachers attending teacher training courses in the UK also seek to take home material that allows then to present the 'cultural studies' aspect of their language lesson in a contemporary and dynamic way.

Originally from Newport, Gwent, for the last eighteen years Richard King has lived in the hill farming country of Radnosrshire, Powys. He is the author of Original Rockers, which was shortlisted for the Gordon Burn Prize, and How Soon Is Now?, both published by Faber.

Lavishly illustrated, the book is an indispensable guide to the 1951 Festival of Britain, its objects and their meanings in the twenty-first century.