"The Christian year is full of great feasts, such as Christmas, Easter and Pentecost. Beautifully illustrated with colour plates, Festival Icons for the Christian Year introduces the general reader to the most important icons of the Orthodox Church associated with these major festivals, accompanied by words of prayer and liturgy." "Discussion of each festival includes background information, extracts from the associated liturgical texts, detailed analysis of the icon illustrated with information about its development, and comment on the theological and spiritual significance of the festival and its icon."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Orthodox Church is one of the three major branches of Christianity. There are over 300 million adherents throughout the world. The Orthodox Church is a fellowship of independent churches, which split form the Roman Church over the question of papal supremacy in 1054. The Orthodox adherents include people in: Greece, Georgia, Russia, and Serbia. There are an estimated one million members in the United States. This Advanced book explains the basic principles of Orthodox Christianity and describes in detail the holidays observed by the Orthodox Church. In addition, relevant book literature is presented in bibliographic form with easy access provided by title, subject and author indexes.

Enhance your family's celebration of the Great Feasts of the Orthodox Church with this beautifully designed book. Written for all ages and illustrated with icons and more, the book brings alive each of the Twelve Great Feasts (plus Pascha, the Feast of Feasts) with hymns, traditions, Old and New Testament scriptures, explanations of the festal icon, and quotes from the Fathers. A wonderful companion as we journey through the liturgical calendar year after year, deepening our faith one feast at a time.

In AD 726, the Byzantine emperor ordered the destruction of all icons, or religious images, throughout the empire, and icons were subject to an imperial ban that was to last, with a brief remission, until AD 843. A defender of icons, St John of Damascus wrote three treatises against "those who attack the holy images." He differentiates between the veneration of icons, which is a matter of expressing honor, and idolatry, which is offering worship to something other than God.

From the same Irish monastery that gave us the best-selling The Glenstal Book of Prayer, with over 150, -000 copies sold worldwide! The Glenstal Book of Icons presents meditations and prayers on a selection of icons from the Glenstal Abbey Icon Chapel. The process is that of lectio divina, where the icon itself is the text to be read and considered, leading to a meditation on the text - or icon - which in turn leads to prayer. Each icon is reproduced in full color. A substantial introduction places the icon in its context in Eastern Christianity, looks at the theology of icons and then at the Eastern approach to praying with icons. Special emphasis is given to The Jesus Prayer which is then used in various forms throughout the meditations which follow. Gregory Collins, OSB, is a monk of Glenstal Abbey, Ireland.

Moving Beyond Theoria Towards Theosis focuses on the telos of man as understood in Plato’s theoria, envisioned in the allegory of the cave, and early Christian reinterpretation of theoria as theosis. In his famed allegory of the cave, Plato maintains that real life exists beyond our base perceptions of reality and is found in the realm of ideas. Theoria is eternal rest in this realm and is understood as the telos of mankind. Plato’s theoria underwent change as it was reinterpreted under middle-Platonic and neo-Platonic thought. These systems incorporated a more mature idea of the divine than Plato, but still minimized the material world. This book explores how early Christianity inherited Plato’s cosmology and terminology. Theoria was also reinterpreted within the Christian context. Eventually the term was abandoned for theosis. Theosis is beyond theoria, as it includes contemplation of the forms as well as union with the source of the forms and the affirmation of the material realm. In this volume, Justin A. Davis shows how the Orthodox use of icons can be key to understanding theosis. The icon is a material object that connects to a higher reality, and ultimately toward union with the divine. Plato’s cosmology is collapsed and transfigured in union with the uncreated energy of God. Icons are the depiction of spiritual ascesis and the new telos of man, theosis.

This book introduces readers to a little-known place and time in world history – early modern Russia, from its beginnings as Muscovy, in the fourteenth century, through the reign of Peter I (1689-1725) – by portraying the lives of representative individuals from the major levels of the society of that era. The portraits, written by professional historians, are imaginative reconstructions or composites of individual lives, rather than biographies. The portraits are arranged into socio-political categories, and include members of ruling families, government servitors, clerks, military personnel, church prelates, monks, provincial landowners, townspeople and artisans, Siberian explorers and traders, free peasants, serfs, slaves and holy fools. Using these portraits, the book brings old Russian society to life in an interesting way.