Gwen Hill has lived on Green Valley Avenue all her adult life. Here she brought her babies home, nurtured her garden and shared life's ups and downs with her best friend and neighbour, Babs. So when Babs dies and the house next door is sold, Gwen wonders how the new family will fit settle into this cosy community. Francesca Desmarchelliers has high hopes for the house on Green Valley Avenue. It's a clean slate for Frankie, who has moved her brood from Sydney's inner city to the leafy north shore street in a bid to save her marriage and keep her rambunctious family together. To maintain her privacy and corral her wandering children, Frankie proposes a fence between their properties, destroying Gwen's lovingly cultivated front garden. Soon the neighbours are in an escalating battle that becomes about more than just council approvals, and boundaries aren't the only things at stake.

A homeopathic remedy for fake news, Strawberry Fields tells not one story but 20, reports on investigations of a globe in crisis.

The debut novella from one of contemporary fiction's most exciting young voices, now in a new edition. Salem, Massachusetts, 1851: McGlue is in the hold, still too drunk to be sure of name or situation or orientation--he may have killed a man. That man may have been his best friend. Intolerable memory accompanies sobriety. A-sail on the high seas of literary tradition, Ottessa Moshfegh gives us a nasty heartless blackguard on a knife-sharp voyage through the fogs of recollection. They said I've done something wrong? . . . And they've just left me down here to starve. They'll see this inanition and be so damned they'll fall to my feet and pass up hot cross buns slathered in fresh butter and beg I forgive them. All of them . . . : the entire world one by one. Like a good priest I'll pat their heads and nod. I'll dunk my skull into a barrel of gin.

Missives, posts, poems, essays, and a novel from the still-beating Anthropocene heart of digital nativity. Winner of the Fence Modern Prize in Prose

Barbed wire is made of two strands of galvanized steel wire twisted together for strength and to hold sharp barbs in place. As creative advertisers sought ways to make an inherently dangerous product attractive to customers concerned about the welfare of their livestock, and as barbed wire became commonplace on battlefields and in concentration camps, the fence accrued a fascinating and troubling range of meanings beyond the material facts of its construction. In The Perfect Fence, Lyn Ellen Bennett and Scott Abbott explore the multiple uses and meanings of barbed wire, a technological innovation that contributes to America’s shift from a pastoral ideal to an industrial one. They survey the vigorous public debate over the benign or “infernal” fence, investigate legislative attempts to ban or regulate wire fences as a result of public outcry, and demonstrate how the industry responded to ameliorate the image of its barbed product. Because of the rich metaphorical possibilities suggested by a fence that controls through pain, barbed wire developed into an important motif in works of literature from the late nineteenth century to the present day. Early advertisements proclaimed that barbed wire was “the perfect fence,” keeping “the ins from being outs, and the outs from being ins.” Bennett and Abbott conclude that while barbed wire is not the perfect fence touted by manufacturers, it is indeed a meaningful thing that continues to influence American identities.

The boys of Kings Row head to France with exes, rivalries, and secrets in this fun and hilarious novel by a New York Times bestselling author—inspired by the award-nominated comic series by C.S. Pacat and Johanna The Mad. The boys of Kings Row are off to a training camp in Europe! Surrounded impressive scenery and even more impressive European fencing teams, underdog Nicholas can't help but feel out of place. With the help of a local legend, though, he and the rest of the team finds it within themselves to face superior fencers, ex-boyfriends, expulsion, and even Nicholas's golden-boy, secret half-brother, the infamous Jesse Coste. Will Aiden and Harvard end up together, though? En garde! The second installment of this enticing original YA novel series by Sarah Rees Brennan, rich with casual diversity and queer self-discovery, explores never-before-seen drama inspired by C.S. Pacat's critically acclaimed Fence comic series. Text and Illustration copyright: © 2021 BOOM! Studios Fence(TM) and © 2021 C.S. Pacat

These poems look at what life is like for a young black man today.