A singular debut that “marks the emergence of a great, stomping, wall-knocking talent” (Kevin Barry) Daisy Johnson’s Fen, set in the fenlands of England, transmutes the flat, uncanny landscape into a rich, brooding atmosphere. From that territory grow stories that blend folklore and restless invention to turn out something entirely new. Amid the marshy paths of the fens, a teenager might starve herself into the shape of an eel. A house might fall in love with a girl and grow jealous of her friend. A boy might return from the dead in the guise of a fox. Out beyond the confines of realism, the familiar instincts of sex and hunger blend with the shifting, unpredictable wild as the line between human and animal is effaced by myth and metamorphosis. With a fresh and utterly contemporary voice, Johnson lays bare these stories of women testing the limits of their power to create a startling work of fiction.

*Named a Best Book of the Year by The New Yorker and Literary Hub!* *A 2022 NBCC Awards Nonfiction Finalist and a 2023 Phillip D. Reed Environmental Writing Award Finalist* From Pulitzer Prize winner Annie Proulx, this riveting deep dive into the history of our wetlands and what their systematic destruction means for the planet “is both an enchanting work of nature writing and a rousing call to action” (Esquire). “I learned something new—and found something amazing—on every page.” —Anthony Doerr, author of All the Light We Cannot See and Cloud Cuckoo Land A lifelong acolyte of the natural world, Annie Proulx brings her witness and research to the subject of wetlands and the vitally important role they play in preserving the environment—by storing the carbon emissions that accelerate climate change. Fens, bogs, swamps, and marine estuaries are crucial to the earth’s survival, and in four illuminating parts, Proulx documents their systemic destruction in pursuit of profit. In a vivid and revelatory journey through history, Proulx describes the fens of 16th-century England, Canada’s Hudson Bay lowlands, Russia’s Great Vasyugan Mire, and America’s Okeefenokee National Wildlife Refuge. She introduces the early explorers who launched the destruction of the Amazon rainforest, and writes of the diseases spawned in the wetlands—the Ague, malaria, Marsh Fever. A sobering look at the degradation of wetlands over centuries and the serious ecological consequences, this is “an unforgettable and unflinching tour of past and present, fixed on a subject that could not be more important” (Bill McKibben). “A stark but beautifully written Silent Spring–style warning from one of our greatest novelists.” —The Christian Science Monitor

Chick Lit. Fen McCabe, just 28, has only ever been in love with one man. To her sisters' exasperation, he's a 19th-century sculptor called Julius Fetherstone. And as Fen starts a new job, dreaming of her hero and his missing masterpiece, her flatmates and family harbour a secret hope that she might just meet a living, breathing man instead. Matt Holden, turning 30, edits Art Matters magazine. Newly single, and determined to avoid commitment, he nevertheless finds himself rather attracted to Fen. James Caulfield, not quite 50, is forever fending off the advances of the women he gardens for in Derbyshire and forever fending off his bank manager. To improve his finances, he must sell his two small Fetherstones. And who better to advise than Fen McCabe? Is it possible to fall in love with two very different men at the same time? Sculpture, sexual attraction and severe indecision collide in Freya North's colourful and charming novel.

From a British mystery author known as “the master of the whodunnit,” an amateur detective delights in solving murders at an English boys’ school. Prof. Gervase Fen of Oxford University is honored to award the prizes at the Speech Day ceremonies at Castrevenford High School. As it turns out, the headmaster’s selection of the part-time sleuth as a presenter is most fortuitous indeed. For the night before the big event, two of the school’s staff members are murdered . . . Of course, Fen is happy to do some investigating, if only to get more fodder for the crime novel he’s writing. Between the kidnapping, the student romances, and the accidental discovery of a long-lost Shakespearian manuscript, the eccentric Oxford don certainly gets some food for thought. But that’s all in a day’s work for an amateur detective with a penchant for literary allusions and an uncanny knack for solving the unsolvable. Praise for the mysteries of Edmund Crispin “A marvellous comic sense.” —P. D. James, New York Times–bestselling author of the Inspector Adam Dalgliesh series “Master of fast-paced, tongue-in-cheek mystery novels, a blend of John Dickson Carr, Michael Innes, M.R. James, and the Marx Brothers.” —Anthony Boucher, author of the Fergus O’Breen series “An absolute must for devotees of cultivated crime fiction.” —Kirkus Reviews “One of the most literate mystery writers of the twentieth century.” —The Boston Globe “Beneath a formidable exterior he had unsuspected depths of frivolity.” —Philip Larkin, poet and author of A Girl in Winter “One of the last exponents of the classical English detective story.” —The Times (London)