A sweeping biography of one of the most influential and successful business-women in American history, BECOMING ELIZABETH ARDEN opens the Red Door to a world of wealth, glamor, and the profitable business of beauty Elizabeth Arden was a household name on six continents and a millionaire several times over before her death in 1966. Arden counted British royalty and social elites from the overlapping worlds of New York, Hollywood, London, and Paris among her clients. She revolutionized skin care and cosmetics, making it acceptable for all women to embrace glamour and wear makeup—not just actresses and prostitutes. She created a successful international business empire before women gained the vote and at a time when virtually no woman owned or ran a national company. She developed the first luxury spa and insisted on a holistic understanding of health and beauty. Unconventional and driven, Arden fervently believed that every woman could be beautiful. Acclaimed biographer Stacy Cordery does full justice to one of America’s greatest entrepreneurs. Canadian-born Florence Nightingale Graham turned herself into Elizabeth Arden, using her uncanny sense of the possible to take full advantage of everything New York City offered, building her company and becoming one with her brand. In an astounding rags-to-riches tale, Elizabeth Arden came to personify sophistication and refinement. Her hard work and innovation made makeup, fitness, and style not only acceptable but de rigueur. Arden prospered throughout the Depression, reimagined women’s needs during two World Wars, and by pioneering new approaches to marketing and advertising, ushered beauty into the modern era. Cordery delivers a compelling picture of a modern CEO whose career provides a model for aspiring businesses to this day.

An intimate look at the 1949 Asian Women’s Conference, the movements it drew from, and its influence on feminist anticolonialism around the world. In 1949, revolutionary activists from Asia hosted a conference in Beijing that gathered together their comrades from around the world. The Asian Women’s Conference developed a new political strategy, demanding that women from occupying colonial nations contest imperialism with the same dedication as women whose countries were occupied. Bury the Corpse of Colonialism shows how activists and movements create a revolutionary theory over time and through struggle—in this case, by launching a strategy for anti-imperialist feminist internationalism. At the heart of this book are two stories. The first describes how the 1949 conference came to be, how it was experienced, and what it produced. The second follows the delegates home. What movements did they represent? Whose voices did they carry? How did their struggles hone their praxis? By examining the lives of more than a dozen AWC participants, Bury the Corpse of Colonialism traces the vital differences at the heart of internationalist solidarity for women’s emancipation in a world structured through militarism, capitalism, patriarchy, and the seeming impossibility of justice.

In Remnants of Empire in Algeria and Vietnam: Women, Words, and War author Pamela A. Pears proposes a new approach to Francophone studies. The work uses postcolonial theory, along with gender and feminist inquiries, to emphasize the connections between two Francophone literatures, Algerian and Vietnamese. Specifically Pears focuses on four novels: Yamina Mechakra's La Grotte clat e, Ly Thu Ho's Le Mirage de la paix, Malika Mokeddem's L'Interdite, and Kim Lef vre's Retour la saison des pluies. All four novels show the profound transformation of women's roles in Algeria and Vietnam during and following the presence of French colonialism. These four authors never attempt to unfold a clear and single definition of the postcolonial female subject. Instead, they explore the various subjective possibilities, expand on them, and ultimately place them in question. Although the differences between Algeria and Vietnam are striking, it is through their connections to one another that we can foreground postcolonial gender issues. Whereas geographical boundaries and official nationalities serve as divisive classifications, the links between the works lead us to a much more engaging dialogue and ultimate understanding of postcolonial Francophone literature.

Per-Erik Nilsson takes a religious studies approach to analyse the intersections of secularism, nationhood and populism in contemporary France. This book provides insight into the French and European radical-nationalist ideology and activism, and contributes to our understanding of the complex relationship between religion and the state in contemporary Europe and beyond. When Marine Le Pen became the leader of the radical nationalist and populist party National Front in 2011, she made clear that secularism was a core value of party. This signalled a significant shift in the party's rhetorical strategies and previous reluctance to embrace secularism. Nilsson argues that this conspicuous appropriation first came about as a logical result of the obsession of the established mainstream political parties and news media with questions of secularism, national identity and Islam. He shows that a key player in understanding the National Front's change is the web-based journal Riposte Laïque, which has become a central actor in French radical-nationalist and anti-Muslim web and street-based activism. For the first time, this source is examined in order to understand French radical nationalists' recent appropriation of secularism, as well as debates on secularism, national identity and Islam in France more broadly.