Women, Feminism and Development illustrates the significance and relevance of work on development carried out from a feminist perspective, with a particular focus on the contribution of Canadian researchers and activists. Covering a wide range of themes and concerns, the volume gathers authors from different organizational backgrounds and academic disciplines, and includes chapters on such different cultural and geographical areas as China, Malaysia and Thailand, Mexico and the West Indies, Uganda, Malawi and Ghana, and Canadian Inuit and Indian communities. A unity of purpose as well as a call for a fundamental reconceptualization of society emerge from these varied voices. Women, Feminism and Development is structured to convey a feminist perspective for the construction of theoretical, methodological, and political approaches to development; a critical evaluation of the effect of development policies on women's lives and gender relations; and an understanding of the multiple strategies that can lead to the empowerment of women and real development.

Despite various decades of research and claim-making by feminist scholars and movements, gender remains an overlooked area in development studies. Looking at key issues in development studies through the prisms of gender and feminism, the authors demonstrate that gender is an indispensable tool for social change.

A magisterial reconstruction and analysis of the heated debates around the 'woman question' during the French Third Republic.

First published in 1998. This is Volume XV of fifteen in the Sociology of Gender and the Family Series. Originally published in 1956, this study looks at the two roles of women of in the workplace and at home with the aim of looking at social reforms needed for the to reconcile family and a professional life in the period after World War II.

For the past twenty years feminist grass-root movements, professionals, and researchers have shown how the social construction of gender relations interacts with all forms of imperialism to mould the dominant ideologies of development. Based on a constant dialogue between theory and practice, research and action, their analyses of society and international development begin with women's experience and aim at policies and actions directed toward social change and the empowerment of women.

Counterpractice highlights a generation of women who used art to define a culture of experimental thought and practice during the period of the French women’s movement or Mouvement de Libération des Femmes (1970–81). It considers women’s art in relation to some of the most exciting thinkers to have emerged from the French literature and philosophy of the 1970s – Hélène Cixous, Luce Irigaray and Julia Kristeva – forcing a timely reconsideration of the full spectrum of revolutionary practices by women in the years following the events of May ’68. Lavishly illustrated with over 200 images, the book also features an illuminating foreword by art historian Griselda Pollock.