Genre: Gender Bender Fiction Formerly incarcerated. Formerly a male. Formerly sure he’d made the right decision. Brad now Brandy, is a proverbial fish out of water in a world full of ravenous sharks and unavoidable complications, facing challenges she hadn’t anticipated. With her parents on a mission to win an election, their son turned daughter is a distraction they don’t need. But rehabilitated, she just may be their ticket to a deluge of much-needed sympathy votes. After an intervention from an expert, Brandy is seen as a hot commodity but not in the way anyone would’ve seen coming. When Brandy’s male past and her female present world collide, she’s forced to make an impossible choice: find a way to reclaim her manhood or stay feminine forever. This 35,000-word feminization story contains detailed descriptions of sex with a muscled man and domineering women with a firm touch of dominance. It's intended for those who love steamy tg stories involving men who changed into girls.

He is Layel, king of the vampires, a master seducer no woman can deny. But since a rogue horde of dragons killed his beloved over two centuries ago, Layel has existed only for vengeance…until he meets Delilah. Wary of love, the beautiful Amazon wants nothing to do with the tormented vampire. Yet there's no denying their consuming desire every time he nears her. Neither trusts the other—nor can they survive alone. For in an impossible game of the gods' devising, they've been trapped on an island, about to face the ultimate challenge: surrender to the passion that will bind them forever…or be doomed to an eternity apart.

Anthology of stories, essays, poems, and illustrations by the women of early science fiction For nearly half a century, feminist scholars, writers, and fans have successfully challenged the notion that science fiction is all about "boys and their toys," pointing to authors such as Mary Shelley, Clare Winger Harris, and Judith Merril as proof that women have always been part of the genre. Continuing this tradition, Sisters of Tomorrow: The First Women of Science Fiction offers readers a comprehensive selection of works by genre luminaries, including author C. L. Moore, artist Margaret Brundage, and others who were well known in their day, including poet Julia Boynton Green, science journalist L. Taylor Hansen, and editor Mary Gnaedinger. Providing insightful commentary and context, this anthology documents how women in the early twentieth century contributed to the pulp-magazine community and showcases the content they produced, including short stories, editorial work, illustrations, poetry, and science journalism. Yaszek and Sharp's critical annotation and author biographies link women's work in the early science fiction community to larger patterns of feminine literary and cultural production in turn-of-the-twentieth-century America. In a concluding essay, the award-winning author Kathleen Ann Goonan considers such work in relation to the history of women in science and engineering and to the contemporary science fiction community itself.

This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.