Feminist Fables is a reworking of fairy tale s and mixes mythology with the author''s original material an d imagination to make this a feminist classic. '

It was on a sabbatical in England in the late seventies that Suniti Namjoshi discovered feminism—or rather, she discovered that other feminists existed, and many among them shared her thoughts and doubts, her questions and visions. Since then, she has been writing—fables, poetry, prose autobiography, children’s stories—about power, about inequality, about oppression, effectively using the power of language and the literary tradition to expose what she finds absurd and unacceptable. This new collection brings together in one volume a huge range of Namjoshi’s writings, starting with her classic collection, Feminist Fables, and coming right up to her latest work. Published by Zubaan.

Feminist Fables is a reworking of fairy tale s and mixes mythology with the author''s original material an d imagination to make this a feminist classic. '

This compendium of fables in visual form features women negotiating different types of gender-based violence and inequity in various cultures worldwide. Five graphic narratives expose such issues as femicide, child molestation and female genital mutilation without defining the affected women and girls by their unfortunate circumstances. Highlighting the power of intelligence, humor and decency and the willingness of people to work together to effect social change, these fables--each presented bilingually in English and the protagonist's native language of Spanish, German, Arabic or Swahili--transcend boundaries of gender, race, language and geography without ignoring differences. Subtle ink washes, brilliant colors and detailed crosshatching distinguish the acclaimed magical realist artwork through which the stories unfold.

This collection brings together leading feminist thinkers whoexamine the struggles for interpretive power which underliesinternational development. Questions why the insights from years of feminist gender anddevelopment research are so often turned into ‘gendermyths’ and ‘feminist fables’: women are morelikely to care for the environment; are better at working together;are less corrupt; have a seemingly infinite capacity tosurvive Explores how bowdlerized and impoverished representations ofgender relations have simultaneously come to be embedded indevelopment policy and practice Traces the ways in which language and images of development arerelated to practice and provides a nuanced account of the politicsof knowledge production Argues that struggles for interpretive power are not onlyimportant for our own sake, but also for the implications they havefor women’s lives worldwide An informed analysis of how ‘gender’ has beentransformed in its transfer into development policy and how manyauthors are now revisiting and reflecting on their earlierwork

Fables and Spells is a vibrant selection of visionary works, both previously published and brand new. Included here is brown’s most beloved story, “The River,” as well as the two sequel tales of her Water Trio. The remaining sixty-seven pieces explore moments of beauty, conflict, and transformation that also weave deep, radical lessons. With narrative “fables” of speculative fiction and “spells” that play with the lines between poetry, instruction, song, and chant, Fables and Spells demonstrates how good writing can engage the present while providing expansive visions of the possible worlds humans can build. adrienne maree brown’s previous work includes Octavia’s Brood, Emergent Strategy, the New York Times best-selling Pleasure Activism, We Will Not Cancel Us, Holding Change, and Grievers. brown grows transformative ideas in public through her writing and art; she is a poet changing the world. She is the writer-in-residence at Emergent Strategy Ideation Institute.