Feminism in France charts the evolution of the women’s liberation in France (MLF) from its emergence in 1968 to the present. Claire Duchen provides a lucid and compelling account of different feminist practices in France, clarifying the divergent political stances and the feminist theory that informs them. The remarkably clear introduction to French feminist theory, notably of Luce Irigaray and Helene Cixous, places it in its wider intellectual and political context and illuminates the complex connection of feminist thinking to other strands of contemporary French thought, represented by philosophers such as Michel Foucault and Jacques Lacan. The author’s role as ‘participant observer’ and her inclusion of interviews with French activists enhance her discussion, complementing the analytical with the immediacy of lived experience. ‘Claire Duchen’s lucid and succinct account is both timely and valuable.’ – Harriet Gilbert, New Statesman ‘Lucid, sympathetic and very helpful book on the French women’s movement ... will help us to understand the French feminist world much better.’ – Sian Reynolds, Women’s Review ‘An excellent introduction to French feminist theory which clarifies feminism in contemporary French thought, and includes illuminating interviews with activists.’ - SHE

Feminism in France charts the evolution of the women’s liberation in France (MLF) from its emergence in 1968 to the present. Claire Duchen provides a lucid and compelling account of different feminist practices in France, clarifying the divergent political stances and the feminist theory that informs them. The remarkably clear introduction to French feminist theory, notably of Luce Irigaray and Helene Cixous, places it in its wider intellectual and political context and illuminates the complex connection of feminist thinking to other strands of contemporary French thought, represented by philosophers such as Michel Foucault and Jacques Lacan. The author’s role as ‘participant observer’ and her inclusion of interviews with French activists enhance her discussion, complementing the analytical with the immediacy of lived experience. ‘Claire Duchen’s lucid and succinct account is both timely and valuable.’ – Harriet Gilbert, New Statesman ‘Lucid, sympathetic and very helpful book on the French women’s movement ... will help us to understand the French feminist world much better.’ – Sian Reynolds, Women’s Review ‘An excellent introduction to French feminist theory which clarifies feminism in contemporary French thought, and includes illuminating interviews with activists.’ - SHE

Daughters of 1968 is the story of French feminism between 1944 and 1981, when feminism played a central political role in the history of France. The key women during this epoch were often leftists committed to a materialist critique of society and were part of a postwar tradition that produced widespread social change, revamping the workplace and laws governing everything from abortion to marriage. The May 1968 events--with their embrace of radical individualism and antiauthoritarianism--triggered a break from the past, and the women's movement split into two strands. One became universalist and intensely activist, the other particularist and less activist, distancing itself from contemporary feminism. This theoretical debate manifested itself in battles between women and organizations on the streets and in the courts. The history of French feminism is the history of women's claims to individualism and citizenship that had been granted their male counterparts, at least in principle, in 1789. Yet French women have more often donned the mantle of particularism, advancing their contributions as mothers to prove their worth as citizens, than they have thrown it off, claiming absolute equality. The few exceptions, such as Simone de Beauvoir or the 1970s activists, illustrate the diversity and tensions within French feminism, as France moved from a corporatist and tradition-minded country to one marked by individualism and modernity.

Written confidently and with compassion, this is the story of a long revolution that has set out to change predominant attitudes and transform value hierarchies and human lifestyles. By outlining the postwar histories of individual countries Kaplan contextualises women's movements and documents a significant chapter of European social history. She poses questions about the interrelationship between the new movements and the parliamentary democracies in which they occurred, while analysing the contradictions of living in modern capitalist countries. Contemporary Western European Feminism also tackles important contradictions, such as those between the welfare state and the free market economy; industrialisation and religious value systems; social engineering and the production of wealth; and dissent and patrimonial systems of democracy.

Contemporary Western European Feminism is a ground-breaking history of feminism. Gisela Kaplan invites a critical analysis of current ideas, terms and assumptions about our modern world. Written confidently and with compassion, this is the story of a long revolution that has set out to change predominant attitudes and transform value hierarchies and human lifestyles. By outlining the postwar histories of individual countries Kaplan contextualises women’s movements and documents a significant chapter of European social history. She poses questions about the interrelationship between the new movements and the parliamentary democracies in which they occurred, while analysing the contradictions of living in modern capitalist countries. Contemporary Western European Feminism also tackles important contradictions, such as those between the welfare state and the free market economy; industrialisation and religious value systems; social engineering and the production of wealth; and dissent and patrimonial systems of democracy. For those wanting to know more about Europe without the intimidating barriers of language and for those already experts in its social history, Contemporary Western European Feminism is essential reading.

Women's Rights and Women's Lives In France 1944-1968 explores key aspects of the everyday lives of women between the Liberation of France and the events of May '68. At the end of the war, French women believed that a new era was beginning and that equality had been won. The redefined postwar public sphere required women's participation for the new democracy, and women's labour power for reconstruction, but equally important was the belief in women's role as mothers. Over the next two decades, the tensions between competing visions of women's `proper place' dominated discourses of womanhood as well as policy decisions, and had concrete implications for women's lives. Working from a wide range of sources, including women's magazines, prescriptive literature, documentation from political parties, government reports, parliamentary debates and personal memoirs, Claire Duchen follows the debates concerning womanhood, women's rights and women's lives through the 1944-1968 period and grounds them in the changing reality of postwar France.

French Feminism Reader is a collection of essays representing the authors and issues from French theory most influential in the American context. The book is designed for use in courses, and it includes illuminating introductions to the work of each author. These introductions include biographical information, influences and intellectual context, major themes in the author's work as a whole, and specific introductions to the selections in this volume. The contributors represent the two trends in French theory that have proven most useful to American feminists: social theory and psychoanalytic theory. Both of these trends move away from any traditional discussions of nature toward discussions of socially constructed notions of sex, sexuality and gender roles. While feminists interested in social theory focus on the ways in which social institutions shape these notions, feminists interested in psychoanalytic theory focus on cultural representations of sex, sexuality and gender roles, and the ways that they affect the psyche. This collection includes selections by Simone de Beauvoir, Christine Delphy, Colette Guilluamin, Monique Wittig, Michele Le Doeuff, Julia Kristeva, Luce Irigaray, and Helene Cixous.