This new book integrates material drawn from a variety of sources - feminist theory, cultural and literary analysis, sociology and art history - in an original discussion of women's relationship to modern and post-modern culture. The essays in the book challenge the continuing separation of sociological from textual analysis in cultural (and feminist) theory and enquiry. They address critically the question of women's writing, exploring the idea that women may begin to define their own lives and construct their identities in a patriarchal culture through the very process of writing. They also present a cogent defence of a feminist cultural politics, including a politics of the body.

Until recently, women have been noticeably absent from historical and sociological accounts of modernity. As a step toward remedying this situation, the essays gathered here challenge the continuing separation of sociological from textual analysis in cultural (and feminist) theory and inquiry. They address critically the question of women's writing, exploring the idea that women may begin to define their own lives and construct their own identities in a patriarchal culture through the very process of writing. They also present a cogent defense of a feminist cultural politics, including a politics of the body. Integrating material drawn from a variety of sources--feminist theory, cultural and literary analysis, sociology, and art history--Feminine Sentences is an original discussion of women's relationship to modern and postmodern culture. Janet Wolff's book represents a major statement of her distinctive position, and will be of interest to everyone working in the areas of cultural and literary theory, women's studies, and sociology. FROM THE BOOK:"Women . . . are sentenced to containment and silence. . . . This collection is intended as a contribution to the overthrow of that 'sentence,' and to the process whereby women find ways to intervene in an excluding culture, and to articulate their own experience. Feminine sentences are those formulations and expressions, in a variety of cultural forms and media, of women's own voice." "The literature of modernity describes the experience of men. It is essentially a literature about transformations in the public world and its associated consciousness. . . . In so far as the experience of 'the modern' occurred mainly in the public sphere, it was primarily men's experience." "I want to argue that a feminist cultural politics of the body is a possibility. . . . There is every reason . . . to propose the body as a privileged site of political intervention, precisely because it is the site of repression and possession."

Gender inequality remains an issue of high relevance, and controversy, in society. Previous research shows that language contributes to gender inequality in various ways: Gender-related information is transmitted through formal and semantic features of language, such as the grammatical category of gender, through gender-related connotations of role names (e.g., manager, secretary), and through customs of denoting social groups with derogatory vs. neutral names. Both as a formal system and as a means of communication, language passively reflects culture-specific social conditions. In active use it can also be used to express and, potentially, perpetuate those conditions. The questions addressed in the contributions to this Frontiers Special Topic include: • how languages shape the cognitive representations of gender • how features of languages correspond with gender equality in different societies • how language contributes to social behaviour towards the sexes • how gender equality can be promoted through strategies for gender-fair language use These questions are explored both developmentally (across the life span from childhood to old age) and in adults. The contributions present work conducted across a wide range of languages, including some studies that make cross-linguistic comparisons. Among the contributors are both cognitive and social psychologists and linguists, all with an excellent research standing. The studies employ a wide range of empirical methods: from surveys to electro-physiology. The papers in the Special Topic present a wide range of complimentary studies, which will make a substantial contribution to understanding in this important area.

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

How do Russian and Czech nonbinary people use language to construct their identity? This question has hardly been addressed so far, so this volume describes and analyzes the identity-driven linguistic variation of Russian and Czech nonbinary speakers. If a linguistic feature indexes the gender binary in the standard variety, then a nonbinary speaker – who desires to express their gender identity – in interaction employs an alternative that lacks this feature to perform and thus linguistically construct nonbinary identity. This hypothesis is investigated using a triangulation of quantitative and qualitative methods, banking on data from corpora and surveys. Among the most relevant practices that have emerged are the overt introduction of gender identity labels as well as pronouns and/or chosen agreement patterns into discourse, the alternation of gender agreement patterns, and the use of plural endings with singular meaning.

As one of the first English novelists to employ "stream of consciousness" as a narrative technique, Dorothy Richardson ranks among modernism's most important experimentalists, yet her epic autobiographical novel Pilgrimage has rarely received the kind of attention given to the writings of her contemporaries James Joyce, Virginia Woolf, and Marcel Proust. Kristin Bluemel's study explores the relationship between experimental forms and oppositional politics in Pilgrimage, demonstrating how the novel challenged the literary conventions and cultural expectations of the late-Victorian and Edwardian world and linking these relationships to the novel's construction of a lesbian sexuality, its use of medicine to interrogate class structures, its feminist critique of early-twentieth-century science, and Richardson's short stories and nonfiction.