This landmark collaboration between African American and white feminists goes to the heart of problems that have troubled feminist thinking for decades. Putting the racial dynamics of feminist interpretation center stage, these essays question such issues as the primacy of sexual difference, the universal nature of psychoanalytic categories, and the role of race in the formation of identity. They offer new ways of approaching African American texts and reframe our thinking about the contexts, discourses, and traditions of the American cultural landscape. Calling for the racialization of whiteness and claiming that psychoanalytic theory should make room for competing discourses of spirituality and diasporic consciousness, these essays give shape to the many stubborn incompatibilities—as well as the transformative possibilities—between white feminist and African American cultural formations. Bringing into conversation a range of psychoanalytic, feminist, and African-derived spiritual perspectives, these essays enact an inclusive politics of reading. Often explosive and always provocative, Female Subjects in Black and White models a new cross-racial feminism.

Christology is especially problematic for feminists. Because Jesus was undeniably male and because the Christian church claims him as the unique God-bearer, feminist christology confronts the dual tasks of explaining the significance of a male God-bearer for women and creating a christological model adequate to feminist experience. Jacquelyn Grant rehearses the development and challenges of feminist christology and argues that, because it has reflected the experience of White women predominantly, it fails to speak to the concerns of non-white and non-western women. In response to this failure, Grant proposes a womanist theology and christology that emerge from and are adequate to the reality of contemporary Black women.

How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.

"In the first book devoted to representations of Jesus Christ in contemporary photography, Nathalie Dietschy presents a rich range of images from the 1980s to the present day. Acclaimed photographers such as Catherine Opie, Wang Qingsong, Joan Fontcuberta, Greg Semu, Andres Serrano, David LaChapelle, Renee Cox and Bettina Rheims offer fresh - and often provocative - depictions of Christ that address issues from race to sexuality to gender. The Figure of Christ in Contemporary Photography guides the reader through these alternative representations, analysing the complex social, political and cultural issues that the photographs bring to light."--Provided by publisher.

In this classic work, first published in 1994, Kelly Brown Douglas offers a compelling portrait of who Jesus is for the Black community. Beginning with the early testimonies of the enslaved, through the writings and thought of religious and literary figures, voices from the Civil Rights and Black Power era, including Martin Luther King, Jr., and Malcolm X, up through the contemporary work of Black and Womanist theologians, Douglas presents a living tradition that speaks powerfully to the message of our day: Black Lives Matter.

Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.

‘An incredible resource, earthed in academic rigour but packed to the gills with useful exercises that have been honed by reality and experience.’ Black Theology Commended as essential reading by reviewers, this insightful guide shows how Black theology makes a difference to Christian thought and practice. Full of Bible studies and practical exercises, here is a stimulating resource that encourages a new awareness of ourselves and others. This timely new edition includes a new afterword on the Black Lives Matter movement, and the difference it is making in the struggle for a society where we are all equally accepted and respected as God's children. ‘Forges the wisdom of Black theology into a powerful tool for change – not just to the way we think but to how we live.’ Elaine Graham, Research Professor of Practical Theology, University of Chester ‘Theological institutions, ordinary people, preachers, worship leaders and house group facilitators should wrestle with this little volume.’ Methodist Recorder