In this passionate report from the front lines, a "New York" magazine writer examines the enormous cultural impact of the newest wave of post-feminism.

A classic work on gender culture exploring how the women’s movement has evolved to Girls Gone Wild in a new, self-imposed chauvinism. In the tradition of Susan Faludi’s Backlash and Naomi Wolf’s The Beauty Myth, New York Magazine writer Ariel Levy studies the effects of modern feminism on women today. Meet the Female Chauvinist Pig—the new brand of “empowered woman” who wears the Playboy bunny as a talisman, bares all for Girls Gone Wild, pursues casual sex as if it were a sport, and embraces “raunch culture” wherever she finds it. If male chauvinist pigs of years past thought of women as pieces of meat, Female Chauvinist Pigs of today are doing them one better, making sex objects of other women—and of themselves. They think they’re being brave, they think they’re being funny, but in Female Chauvinist Pigs, Ariel Levy asks if the joke is on them. In her quest to uncover why this is happening, Levy interviews college women who flash for the cameras on spring break and teens raised on Paris Hilton and breast implants. She examines a culture in which every music video seems to feature a stripper on a pole, the memoirs of porn stars are climbing the bestseller lists, Olympic athletes parade their Brazilian bikini waxes in the pages of Playboy, and thongs are marketed to prepubescent girls. Levy meets the high-powered women who create raunch culture—the new oinking women warriors of the corporate and entertainment worlds who eagerly defend their efforts to be “one of the guys.” And she traces the history of this trend back to conflicts between the women’s movement and the sexual revolution long left unresolved. Levy pulls apart the myth of the Female Chauvinist Pig and argues that what has come to pass for liberating rebellion is actually a kind of limiting conformity. Irresistibly witty and wickedly intelligent, Female Chauvinist Pigs makes the case that the rise of raunch does not represent how far women have come, it only proves how far they have left to go.

Today's young women seem to be outdoing the male chauvinist pigs of yesteryear, applauding the 'pornification' of other women, and themselves. This is a world where simulating sex for baying crowds of men on shows like Girls Gone Wild and going to lapdancing clubs - as patrons - is seen as a short cut to cool. Ariel Levy says the joke's on the women if they think this is progress. She tears apart the myth of this new brand of 'empowered woman' and refuses a culture-wide obligation for women to act and look like porn stars. This terrifically witty and wickedly intelligent book makes the case that the rise of raunch does not represent how far women have come - it proves only how far women have left to go.

Andrea Dworkin, once called "Feminism's Malcolm X," has been worshipped, reviled, criticized, and analyzed-but never ignored. The power of her writing, the passion of her ideals, and the ferocity of her intellect have spurred the arguments and activism of two generations of feminists. Now the book that she's best known for-in which she provoked the argument that ultimately split apart the feminist movement-is being reissued for the young women and men of the twenty-first century. Intercourse enraged as many readers as it inspired when it was first published in 1987. In it, Dworkin argues that in a male supremacist society, sex between men and women constitutes a central part of women's subordination to men. (This argument was quickly-and falsely-simplified to "all sex is rape" in the public arena, adding fire to Dworkin's already radical persona.) In her introduction to this twentieth-anniversary edition of Intercourse, Ariel Levy, the author of Female Chauvinist Pigs, discusses the circumstances of Dworkin's untimely death in the spring of 2005, and the enormous impact of her life and work. Dworkin's argument, she points out, is the stickiest question of feminism: Can a woman fight the power when he shares her bed?

An up-close look at how porn permeates our culture Pictures of half-naked girls and women can seem to litter almost every screen, billboard, and advertisement in America. Pole-dancing studios keep women fit. Men airdrop their dick pics to female passengers on planes and trains. To top it off, the last American President has bragged about grabbing women “by the pussy.” This pornification of our society is what Bernadette Barton calls “raunch culture.” Barton explores what raunch culture is, why it matters, and how it is ruining America. She exposes how internet porn drives trends in programming, advertising, and social media, and makes its way onto our phones, into our fashion choices, and into our sex lives. From twerking and breast implants, to fake nails and push-up bras, she explores just how much we encounter raunch culture on a daily basis—porn is the new normal. Drawing on interviews, television shows, movies, and social media, Barton argues that raunch culture matters not because it is sexy, but because it is sexist. She shows how young women are encouraged to be sexy like porn stars, and to be grateful for getting cat-called or receiving unsolicited dick pics. As politicians vote to restrict women’s access to birth control and abortion, The Pornification of America exposes the double standard we attach to women’s sexuality.

Feminism is still a misunderstood concept; many think it ends at sexual freedom for women. There are uncomfortable issues however - little girls need much more to aspire to than being an Item girl or a Cinderella or a Daddy's girl, men need not veer towards beards and over-sized vehicles and shoes to compensate for the intimidation, and chivalry need not be the biggest casualty of uber-feminism. But the entire debate has gone underground. Malana Cream is a brilliant street narrative that attempts to create a dialogue between chauvinism and feminism through a metaphorical voyage, as well as a physical one. Cruising on his motorcycle on the great Himalayan road along the Dhauladhar Range to Parvati Valley, chauvinist Ranveer Singh discovers liberalism at the hands of Rito, a third-wave feminist backpacker, as they ride to attend a cultural festival called Malana Cream, named after the high grade, exotic marijuana found in the valley. The result is two enthralling journeys - an external travelogue about the Himalayas, spirituality, hippies, backpacking, while the other, an internal dialogue about individual choice.

Presents an anthology of the best literary essays published in 2014, selected from American periodicals.