Instructions and patterns for a variety of small felted Japanese characters.

In this charming follow-up to her popular Felt Friends from Japan, Naomi Tabatha shares 80 projects that anyone can make using only felt and a needle-and-thread. Here are soft toys and dolls, adorable outfits to dress them in, and a variety of useful and attractive accessories and decorative household items, all reflecting the retro style that Tabatha remembers from her childhood in Japan in the 1960s and 1970s. More Felt Friends from Japan opens by introducing a zoo-ful of animals (Chimpanzee, Giraffe, Lion, Hippo, Anteater, Elephant, Zebra, Capybara); and then presents an adorable Kitty, ready to go shopping and dress up. Readers also meet Kitty’s friends—Piggy, Bear, Dog, and Monkey—and will have a chance to fashion costumes for them as well. Tabatha even shows readers how to turn these clever creatures into hand puppets. After fun with of couple of precious pooches, it’s time for Nostalgic Posing Dolls named Ruru, Lili, Lala-chan, and a lovely little Fawn. In the Accessories section, Tabatha includes Hanging Charms (beaded strands with little figures such as birds, cats, fish, frogs, and cookies); Fun Coasters in the shapes of a frog, a fish, and a chick; Eyeglass Cases; and Pouches. There are small and large tote bags, each with an appealing animal appliqué; and an assortment of brooches shaped like the faces of favorites like a koala, a piglet, a panda, a pug, and more. Every project features clear, step-by-step instructions accompanied by beautiful full-color photographs and cut-out patterns. Plus, an explanatory section covers the basic stitches and techniques used. Everything is hand-stitched—no sewing machines, tools, or intricate steps are required. Simple enough for crafters ranging in age from about ten years old to adult, More Felt Friends from Japan is sure to please anyone who loves creating cute things from felt.

Thinking of getting a Japanese-style tattoo? Want to avoid a permanent mistake? Japanese Tattoos is an insider's look at the world of Japanese irezumi (tattoos). Japanese Tattoos explains the imagery featured in Japanese tattoos so that readers can avoid getting ink they don't understand or, worse, that they'll regret. This photo-heavy book will also trace the history of Japanese tattooing, putting the iconography and kanji symbols in their proper context so readers will be better informed as to what they mean and have a deeper understanding of irezumi. Tattoos featured will range from traditional tebori (hand-poked) and kanji tattoos to anime-inspired and modern works--as well as everything in between. For the first time, Japanese tattooing will be put together in a visually attractive, informative, and authoritative way. Along with the 350+ photos of tattoos, Japanese Tattoos will also feature interviews with Japanese tattoo artists on a variety of topics. What's more, there will be interviews with clients, who are typically overlooked in similar books, allowing them to discuss what their Japanese tattoos mean to them. Those who read this informative tattoo guide will be more knowledgeable about Japanese tattoos should they want to get inked or if they are simply interested in Japanese art and culture.

Most books about Japan will tell you how to use chopsticks and say "konnichiwa!" Few honestly tackle the existential angst of living in a radically foreign culture. The author, a three-year resident and researcher of Japan, tackles the thousand tiny uncertainties of living abroad. -- Adapted from back cover

Where is Home? This question troubles many of us. We may live far from where we grew up, away from those we love or in a culture not our own. But we all need somewhere to belong, to find a sense of home in this world. Jo Swinney was born in the UK, but grew up in Portugal and France. She went to an English boarding school, did a gap year in southern Africa and in her twenties studied theology in Canada, where she met her American husband. Now back in the UK, she's had more reason than most to wonder what 'home' really means. Is home where you come from - where you live now - where the people you love are - or what? Interweaving a frank and poignant retelling of her own story with theological and psychological insights, Jo's original and authentic exploration of home in all its many and varied forms is a heartfelt call to find our home in the things that are truly of most value.

Immigrant Japan? Sounds like a contradiction, but as Gracia Liu-Farrer shows, millions of immigrants make their lives in Japan, dealing with the tensions between belonging and not belonging in this ethno-nationalist country. Why do people want to come to Japan? Where do immigrants with various resources and demographic profiles fit in the economic landscape? How do immigrants narrate belonging in an environment where they are "other" at a time when mobility is increasingly easy and belonging increasingly complex? Gracia Liu-Farrer illuminates the lives of these immigrants by bringing in sociological, geographical, and psychological theories—guiding the reader through life trajectories of migrants of diverse backgrounds while also going so far as to suggest that Japan is already an immigrant country.

“[A]n excellent book...” —The Economist Financial Times Asia editor David Pilling presents a fresh vision of Japan, drawing on his own deep experience, as well as observations from a cross section of Japanese citizenry, including novelist Haruki Murakami, former prime minister Junichiro Koizumi, industrialists and bankers, activists and artists, teenagers and octogenarians. Through their voices, Pilling's Bending Adversity captures the dynamism and diversity of contemporary Japan. Pilling’s exploration begins with the 2011 triple disaster of earthquake, tsunami, and nuclear meltdown. His deep reporting reveals both Japan’s vulnerabilities and its resilience and pushes him to understand the country’s past through cycles of crisis and reconstruction. Japan’s survivalist mentality has carried it through tremendous hardship, but is also the source of great destruction: It was the nineteenth-century struggle to ward off colonial intent that resulted in Japan’s own imperial endeavor, culminating in the devastation of World War II. Even the postwar economic miracle—the manufacturing and commerce explosion that brought unprecedented economic growth and earned Japan international clout might have been a less pure victory than it seemed. In Bending Adversity Pilling questions what was lost in the country’s blind, aborted climb to #1. With the same rigor, he revisits 1990—the year the economic bubble burst, and the beginning of Japan’s “lost decades”—to ask if the turning point might be viewed differently. While financial struggle and national debt are a reality, post-growth Japan has also successfully maintained a stable standard of living and social cohesion. And while life has become less certain, opportunities—in particular for the young and for women—have diversified. Still, Japan is in many ways a country in recovery, working to find a way forward after the events of 2011 and decades of slow growth. Bending Adversity closes with a reflection on what the 2012 reelection of Prime Minister Shinzo Abe, and his radical antideflation policy, might mean for Japan and its future. Informed throughout by the insights shared by Pilling’s many interview subjects, Bending Adversity rigorously engages with the social, spiritual, financial, and political life of Japan to create a more nuanced representation of the oft-misunderstood island nation and its people. The Financial Times “David Pilling quotes a visiting MP from northern England, dazzled by Tokyo’s lights and awed by its bustling prosperity: ‘If this is a recession, I want one.’ Not the least of the merits of Pilling’s hugely enjoyable and perceptive book on Japan is that he places the denunciations of two allegedly “lost decades” in the context of what the country is really like and its actual achievements.” The Telegraph (UK) “Pilling, the Asia editor of the Financial Times, is perfectly placed to be our guide, and his insights are a real rarity when very few Western journalists communicate the essence of the world’s third-largest economy in anything but the most superficial ways. Here, there is a terrific selection of interview subjects mixed with great reportage and fact selection... he does get people to say wonderful things. The novelist Haruki Murakami tells him: “When we were rich, I hated this country”... well-written... valuable.” Publishers Weekly (starred): "A probing and insightful portrait of contemporary Japan."