Felix Holt, the True Story is a critical examination of Felix Holt, the Radical (1866) by George Eliot. Since the novel's publication, it has automatically been assumed that the fictional East Midlands market town of Treby Magna (where the novel is set) "must" be based upon the Nuneaton of George Eliot's childhood. However, this assumption has made the novel largely "unreadable." Whilst Eliot's childhood and her earlier novels are informative towards the construction of Felix Holt, the Radical, this study proposes that the Treby community is based upon the East Midlands market town of Leicester - by far the oldest East Midlands community. It is also proposed that Eliot wanted to write a novel with a similar impact to Cranford by Elizabeth Gaskell (1851 - 1853) in which the community finally pulls together. Hence, it is determined that Eliot wrote Felix Holt, the Radical, as a means of unifying the varying rifts of "Christian eclecticism" into her mode of Humanism.

The most telling expression of the politics of a novel, Rosemarie Bodenheimer asserts, lies not in its proclaimed social intent, its continuity with nonfictional discourse, or its truth to class experience, but in the models of social movement and transformation traced out in the thread of its narrative. The Politics of Story in Victorian Social Fiction explores the story patterns and other narrative conventions through which the industrial or social-problem novel gives fictional shape to questions that were experienced as new, unpredictable, and troubling in the Victorian age. Bodenheimer considers novels explicitly linked with the condition of England debates that preoccupied public-minded Victorians, narratives that confront such topics as the factory system, industrial and rural poverty, working-class politics, and the plight of women. Grouping well-known novels with less frequently read works according to shared narrative patterns, Bodenheimer delineates lines of influence, argument, and development within the subgenre of social fiction. Among the works she discusses are Charlotte Bronte's Shirley, Elizabeth Gaskell's North and South, two novels by Frances Trollope, Geraldine Jewsbury's Marian Withers, George Eliot's Felix Holt the Radical, Charles Dickens's Oliver Twist, and Benjamin Disraeli's Sybil.

A collection of seventeen interlinked poems on the theme of Summer, including: The Well Spring, Daybreak, Fate and Destiny, In Medias Res, The Garden, The Girl on the Bus, Beyond the Fourth Wall, Love Letter, Who?, The Rock Star, Rainbow in the Nightclub, When the Rains Came, Apres un Reve, Dogs on a Beach, I Want, I Don't Want, The Road Ahead.

This title, first published in 1970, consists of essays on the individual tales and novels of George Eliot, with two general essays that discuss the novels as a whole and cuts across the individual works. The primary concern of these studies is to see what the limits of George Eliot’s greatness are, to consider the purpose and end of the technical brilliance, and to attend to what she has to say to us across a century of change and developing historical and psychological consciousness. This book will be of interest to students of literature.